Saturday, 14 May 2011

The Boss. Finally

And now, a recap of the 2011 Chicago mayoral election from @MayorEmanuel:"If you have a giant fucking pile of money and a bunch of dumb fucks running against you, dreams do come true." Okay, fine, that's not the real Rahm Emanuel (it's his Twitter impersonator, a local college professor), but that doesn't make it any less true. In the race for Chicago's top job, Rahm absolutely Rahminated the competition—one opponent called him "a buzz saw," another said campaigning against him was like "running face-first into a gale-force wind." On election night, David Axelrod called him "a heat-seeking missile: He sets his objectives, and then he achieves them." Rahm may indeed be all these things (the world's first heat-seeking, gale-force politician!), but Chicago's problems won't be as easily vanquished as its mayoral candidates. The day after the election, Rahm got a blunt reminder of what he's up against. "Big Problems, Painful Solutions Could Seal Emanuel's Fate as One-Termer," read the morning's headline. Back at campaign HQ, Rahm held up the paper. "Look, I've got a lot of problems to deal with. I know that," he said, referring to a budget deficit of $654 million, blighted neighborhoods, and a dysfunctional school system. "People are pinning their hopes on me. They're betting I have a long-term strategy." Of course, Rahm, a policy wonk, has a plan: He wants to make parents sign a contract to keep kids in class, track police response times in poor neighborhoods, and negotiate concessions from unions. But more important, he has a new image—an Obamaesque persona who preaches compromise and says things like "shared sacrifice" and "grand bargain" instead of dropping the F-bomb indiscriminately and sending dead fish in the mail. "Come on," Rahm says of his fishmongering days, "that was literally half a life ago. And I mean, do I really swear that way? You guys overembellish the colors to make them brighter and stronger."


The truth is, Rahm, who takes office May 16, knows he's never been in a position like this before. "He has never been the number one," says U.S. representative Jan Schakowsky. "He's always served the principal." And now that he's alone at the podium, Rahm knows he needs to mind his p's and q's. "There are five major chief-executive jobs in the United States," he says. "The president, the governor of California, the governor of New York, the mayor of New York, and the mayor of Chicago. I hope I am not insulting anybody else, and if I am insulting a governor somewhere, I apologize." And, well, if that apology isn't good enough, take it up with the fucking mayor.

Kristen Wiig's Top 5 Reasons Every Man Should See Bridesmaids

We know, we know: There is no way in hell you're going to see a movie called Bridesmaids. Especially if it's about actual bridesmaids (the kind you might find at, say, a wedding) as opposed to naughty bridesmaids or slutty bridesmaids (the kind you might find in, say, pornography). But ignore the title and focus instead on these facts: Far from being a celebration of dresses and tuxes and petal-dusted aisles, the movie is about a single, thirtysomething, fall-for-the-wrong-guy specialist's comic descent into bridal-party purgatory. It stars and was cowritten by Kristen Wiig, Saturday Night Live's reigning MVP, and most important, it is damn funny. But if you're still not on board, Wiig has a few more reasons why this is one chick flick you should let yourself get dragged to.


The very first scene is a multiposition sex scene involving Wiig and Jon Hamm.
"There's some good positions in there. Jon Hamm—pumpin' away. He was making his money that day. There was nothing hot about that scene. We weren't, like, looking into each others' eyes. A lot of women who've seen the movie tell me that they can totally relate to that relationship. We've all had that one person where we're like, 'I don't know.... But he's good-looking. And it's convenient.' Am I saying something about myself that I shouldn't be saying?"

There's a laser show in the movie.
"Yes, lasers. Car stunts. Littering. Drinking. Drugs. Vomit. These are all things guys like, right?"

It is R-rated.
"I don't want to make it seem like it's just this crass, farting raunchfest. It's an adult— Well, I was gonna say it's an adult film. But then it wouldn't be rated R. It'd be rated something else. Although if we want guys to come..."

It's in 3-D.
"Okay, it seems 3-D. It's shot in such a way that it just leaps out at you. And the people in the background are smaller than the people in the foreground. That's kind of like 3-D, right? Or maybe that's just how your eyes work."

It does not fetishize marriage and weddings.
"Even in this day and age, if you're not married, there are people who are like, Awww! Don't worry, it'll happen for you someday. Which is fucking crazy. So when we were writing the movie, we were hoping to send the message that you don't have to be married to be a normal member of society."

There is a scene in which multiple wedding dresses are vomited and/or shat upon.
"And I cannot take credit for it. That was all Judd."

Oh, right: It's produced by Judd Apatow.
"Even though his movies tend to be male-centered, women love them, too, because they have heart. It's not just joke, joke, joke, the end. He brought a lot of that to the script this time. And maybe knowing that Judd had something to do with it, people will realize there's more to the movie than what the title suggests."

And anyway, the title was his idea.
"We had a hard time with it. Really hard. And finally Judd said, 'Let's just call it Bridesmaids.' He was like, 'Look, that's what it is, that's what it's about. It's simple. It's one word."

Favorite Gangster Rides

Cars know no morality. Sometimes their owners don't, either, but that doesn't mean they don't love their cars. A preferred status symbol for gangsters, lowlifes, and hoods, cars are also the ticket for when the crime is done and the two choices are getting away, or going away (for a long, long time). Here are some of our favorites

1928 Cadillac Town Sedan
The official car of Al Capone, its paltry 90 horsepower seems feeble by today's standards, especially when you factor in the mobster's bespoke additions: 3,000 pounds of steel and thick glass, which brought this early exercise in home armoring in at 9,000 lbs in its stocking feet. And it was smartly painted green and black to blend in with the Caddies owned by the City of Chicago—because it sure wasn't outrunning much.

Rolls Royce Silver Ghost (1907-1926)
If you think owning a Roller is a big deal today, imagine the infamous 1920s bootlegger Enoch "Nucky" Johnson (now of "Boardwalk Empire" fame), whose reported $500,000 yearly take on illegal booze sales floated him one of the last of the original Silver Ghosts—at a cost of $14,000, or the price of almost 50 new Model Ts. Considering that any punk with a few grand can rent a Phantom for a day now, we have here proof that social mobility has come a way since Prohibition and the Roaring Twenties. It has, hasn't it?

1929 Bentley 4½ Litre "Blower"
Though he'd not run afoul of English law, Woolf Barnato's fortune stemmed from the diamond trade (his father's firm became part of DeBeers's infamous cartel), a business arguably more destructive than rum running or hooking. While England's working classes stayed poor and Apartheid South Africa profited the few, Barnato and his crew, the Bentley Boys, spent their profligate days far, far away from the site of their shame, except when they were racing about (even against locomotives) in their Bentley motorcars. Doing good while doing badly, Barnato served as the unofficial patron of Bentley through the 1920s, but the Depression forced him to sell out to Rolls-Royce in 1931. The so-called Blower Bentleys were riddled with problems both on and off the track, but if you were a well-heeled rogue in the pre WWII era, this was the steed you needed.

Ford Model 18 "V-8" (1932-1934)
The world's first accessibly priced V-8, introduced by Ford in 1932, it was instantly memorialized by diverse miscreants on the lam, but especially by bank robbers John Dillinger and the Barrows (Bonnie and Clyde), who each wrote to Henry Ford thanking him from a criminal's perspective for his innovation. With its iconic "flathead" design, the Ford V-8 brought accessible power to thieves on the go. Another no-goodnik, Baby Face Nelson, liked them so much he would, along with Dillinger and the Barrows, wind up dying near one

Citroën Traction Avant (1934-1957)
With one of the first successful applications of front-wheel drive, and among the world's first monocoque bodies, the Citroën Traction Avant makes most everyone's list of significant cars, but it's here for a more ignominious reason—it became a quick favorite of the Gestapo in Occupied France, remaining as well the default choice of Gallic organized crime, who liked the low-slung Citroën's forgiving ride and superior handling. Indeed, the car was so advanced for its time that it actually drove Citroën to bankruptcy in 1934 (founder Andre Citroën died the following year), and ownership by tire giant Michelin ensued. That's not criminal, though—that's capitalism.

Mercury Eight (1946-1951)
With most automobile production halted in America during World War II, the return of the Mercury Eight ushered in a bold new era. Powered by the Mercury L-head V-8 (à la the Ford L-head V-8) but lower, longer, and meaner than its Ford counterparts, it became the car of choice not just for scammers and stick-up guys but for outrageous custom car builders like George Barris and others, who'd stick a finger in the eye of prevailing cultural values of the time—James Dean drove one in Rebel Without A Cause, and that's you all you need to know.

Jaguar MK VII-IX (1951-1960)
Stateside, Jaguar was best known for swoopy sports cars, but across the pond, the firm's voluptuous four-door sedans—whose 6-cylinder engines the XK sportsters had been designed to showcase—quickly acquired the underworld's seal of approval. Winning the Monte Carlo Rally with a top speed around 100 mph, the Mark VII and successive iterations were fast, capacious and loud (as in just this side of vulgar), making them a preferred ride for the Brothers Kray and a generation of British criminals

Chevrolet Impala (1963-1964)
In its day, the Impala was an everyman's car, with an audience ranging from hard-working family men with crew cuts to civil rights workers to country-clubbers with Republican party memberships to grifters, pimps and con artists. How fitting then that decades later the Six-Four Impala remained an ubiquitous icon, appealing to both South Central gangbangers and drug-dealing Chicano lowriders, at a time when the main thing they had in common was a mutual enthusiasm for women with Kardashian-sized rears. Watch any West Coast rap video from practically any era and you're bound to see one. Go to any Sunday American Legion game in Middle America, and you'll find one there, too. The wifebeater won't be far off.

Ford Lotus Cortina (1963-1966)
Jim Clark. Graham Hill. Colin Chapman. Car enthusiasts will recognize these famous names associated with the Lotus Cortina, but here's another one you should know: Bruce Reynolds, the mastermind behind the Great Train Robbery, a heist which saw thieves make off with the equivalent of $7 million in used bank notes in Britain's largest robbery to that date, back in 1963 when $7 million really was $7 million. While Reynolds and his gang ended up using Land Rovers to haul the cash, his own Lotus Cortina was famously used for reconnaissance. When it was go time, we suspect, the flashy white and green paint scheme was a little too conspicuous.

Jaguar XJ (1969-1987)
If the Mark VII Jag is a car Michael Caine might have driven around East London in the underworld cinema of yore, then the XJ would be the ride of choice for the bumbling, shearling-clad henchmen of more recent Guy Ritchie outings. Sure, the '70s and '80s constituted a dorky interlude for the entire auto industry, and Jaguar's build-quality trangressions were never more evident. But the classic styling and engineering briefs laid out by the XJ would, along with epic depreciation, help to usher it on its way for a preternaturally long run down in the street-level world of hoodlums who'll pay any price for a little class, as long as that price is not much.

Lincoln Continental Mark III-VIII (1969-1998)
What's the point of being a successful criminal if you can't flaunt your wealth with a loud and proud display of good ol'-fashioned bad taste? The older Sicillian mobsters of "Donnie Brasco" might have dismissed the Lincoln Continental over comparable Cadillac Eldorados, but Lincoln's baroque personal luxury coupe, with its acres of prow, vestigial spare tire hump, and propensity for hideous, vinyl "landau" half-roofs replete with opera windows, was always the big-pimping alternative. A stylistic departure from the coolly elegant, four-door Continentals of the 1960s, the Conti coupes were the ostentatious, menacing symbols of Cosa Nostra big earners through four decades. Insert outsized funeral wreath here: RIP, Continental Mark.

Mercury Marquis (1967-1974)
Back in the day, it seemed like every cop show ("The Streets of San Francisco," "Cannon," "Hawaii Five-O," "Starsky and Hutch") featured a baddie driving one of these FoMoCo barges. Anonymous yet with overtones of evil, they ticked all the boxes in that they looked grim, and had plenty of room for perps, automatic weapons, contraband, and dead guys. It was only when they cornered hard in chase scenes—squealing and kneeling on their soft, bias-ply whitewalls and understeering like ocean liners, that you realized that choosing machinery like this, the criminal classes weren't always as bright as they were malevolent. To be fair, the lawmen often drove the same hopeless sedans, underscoring the enduring psychological truth: Sometimes all that separates criminals from cops is the color of their Mercury.

Lamborghini Countach (1974-1990)
Many an adolescent boy had the white Countach poster on their bedroom wall, but a few lucky "commodities traders" in South Beach had the real thing along with all the trappings said teenage boys dreamed of, like a mobile phone, gold Rolex, and artificially enhanced girlfriend. The 12-cylinder Countach was a ludicrously impractical car with little to redeem it beyond aesthetics, but the machine remains infamous and so evocative of the decadence of the '80s that it's a first-ballot immortal from the era's criminal motor pool. Usually finished in garish psychedelic hues, a matte-black example, painted in radar-resistant stealth-bomber paint, is rumored to have had a successful if short-lived career running drugs between Miami and New York .

Porsche 911 Turbo (1974-1989)
If the Countach was the sports car for people who dealt only in cash, the boosted 911 was for people who didn't make money ethically but still filed a tax return. The 930 Turbo (as its known among Porschephiles) was nicknamed "the lawyer killer" for its propensity to wrap itself around trees when its operator caught a nasty wave of panic-induced lift-off oversteer. The Porsche Turbo available today has seen the rough edges removed and is a far cry from its savage ancestor, which was the living embodiment of the fuck-you money its owners helped themselves to.

Mercedes Benz S-Class (1991-1999)
For a time, one could make the case that the W140 S-Class was the best car in the world, but its psychological impact may have been eternal. Marking the cusp before Mercedes's shift from vault-like solidity to over-technological unreliability, this brickiest of brick-house S-Classes was a battle cruiser par excellence, finding favor with captains of industry and criminals—organized and disorganized—as well as a growing band of gangsta rappers, the self-proclaimed criminals whose sales grew in direct proportion to how often they were vilified by the media that underwrote them. Puff Daddy made the big-body Benz the ride of choice for youthful hood denizens back in the '90s, and since these big old S-Classes rarely die of natural causes, that legacy endures.

Lincoln Navigator (1998-present)
Even before the Escalade and quite unlike the upward-mobility time-traveler Range Rover, the Navigator was the original luxury SUV for the made man, combining heft, aggression and less than tasteful luxury cues in a package that strongly appealed to the well-heeled thug's practical side as well as his underlying reptilian sensibility. With all the utilitarian appeal of an SUV, plus the price tag and chrome-tastic flashiness of a luxury car, it didn't take long for automakers to rally around the genre and the absurd profit markups that could be generated. Like any criminal enterprise, the whole scheme came crashing down when fortunes reversed, but just think where we'd be without luxury SUVs.

Cadillac Escalade (1999-present)
So ubiquitous and sinister-looking that its name alone conjures images of shady enterprises and disreputable characters, the Escalade vanquished its Lincoln rival and took its place alongside the S-Class as THE ride of choice for those on the sales end of the urban pharmaceutical business. In a sense, the car almost got too popular for its own good, and as used examples started trickling down to the underclasses, Reaganomics style, they came within reach of even the lowliest dirtbag bounders. As a young friend cogently observed, "When people like The Situation start jocking your swag, you know its time to move on."

Maybach 57/62 (2003-present)
The Maybach was created in part because the S-Class had started suffering a similar problem to Escalade—it was too accessible and hence over-exposed. The solution evidently was to take an even older S-Class chassis, make it look like a Hyundai while bloating it in evey direction, and then sell it for exponentially more. While it quickly became a favorite of third world dictators, record executives, and Wall Street robber barrons, it never achieved the sales figures Mercedes had hoped—even the deeply cynical get it wrong sometimes. Nevertheless, infamously profligate media mogul Birdman recently added a 62 Landaulet model (estimated price: $1.45 million) to his collection, where it joins his similarly introvert Bugatti Veyron. Only in America...

Ferrari F360/F430 (1999-2009)
You'd think that your brightest criminal minds would appreciate the advantages of discreet transport and low depreciation, but no. We left off Ferrari's cash-incinerating Testarossa from our '80s segment because the Countach is arguably the more iconic Italian exotic, but in the 2000s, the F360 and its niftier F430 follow-up ruled the roost. Lamborghini's Gallardo lacked the marque's trademark swing-up doors, but the first 21st century Ferrari was all Ferrari, with carnal styling and an exhaust note that could be heard for miles. The F1 paddle-shift transmission meant clutchless shifting via steering wheel controls, and the ability to snort coke bumps off the hand-stitched center console. Clearly, some criminals just want to go out in a blaze of glory. Top of the world, Ma.

Tommy Hilfiger 10 Essentials

We give a lot of leeway to the men (and women) who report back on their 10 Essentials for GQ.com. Some prefer to put together a playlist, others tick off the contents of their overnight bags. But few have captured such a fantastic spectrum of their own mythology like Tommy Hilfiger, who crafted today's list. By now, 25 years into his career, his style is firmly a part of this country's fashion narrative, as All-American as the flag—the colors of it are quite literally stitched into the lining. His reputation precedes him a little bit, so forgive him for taking a moment to set the record straight. You think you know what Tommy Hilfiger is all about? Buddy, your credit card limit does not even go that high. Here, Mr. Hilfiger lets us in on the 10 things that make his life a little more, well, rich.

1. Aston Martin DB7

"British racing green. It's my only Aston, yeah, but I think you only need one. I think the Aston has better performance [than a Jaguar]. I mean, I like an XKE, an old Jag. But for today's use, Aston has a lot of pep. I've gotten it up to over a hundred. My Ferrari I've gotten up to about 200, on a track up in a Canada. But it's an Enzo, so it's as close to an F1 car as you can get. And I don't take it out very much because it's very low to the ground and the weather has to be perfect. I take it in the backwoods of Connecticut when I do drive it. The Aston is a little more practical."

2. My house in Mustique

"It's on the beach. I've been going to Mustique for 25 years and I've owned the house for 15 years. I built it from a redo of a beach shack, and I built it in coral stone so it would withstand the weather and the salt and the sand. I have a very large family, lots of children, brothers and sisters, relatives, so we have beach cottages right next to the water. It's a tropical paradise, but it's about, you know, barefoot elegance. "

3. Tommy Hilfiger Prep World Tuxedo Blazer

"It's sort of a quasi-tuxedo jacket with the shawl collar, but to be worn with shorts, or beach wear, which makes it a little bit different. You dress it up or dress it down. It's not too serious—nothing should be too serious."

4. Tommy Hilfiger Boat Shoe

"They come in a lot of great colors. These are sort of a grass-green. I love nautical accessories. I'd wear these with madras trousers. "

5. The Whitney

"I love American contemporary art. And the Whitney has celebrated American contemporary art for many years. So, I look at the Whitney as being a very important museum in the city. I go at least once a year—and that's not frequently enough. Anything Warhol, Basquiat, Kuhns. I like John Currin, Jasper Johns. But Warhol and Basquiat are my favorites. And I love [Johns'] White Flag. It's my favorite piece in the world."

6. The Adventures of Tom Sawyer or The Adventures of Huckleberry Finn

"Mark Twain wrote many of his books in Elmira, New York, my hometown. He spent his summers up there. And thinking that someone like Mark Twain was from Elmira, New York was very inspirational because I thought, you know, someone that talented and that well known could come from Elmira, New York, maybe it wouldn't be so hard to be a person with aspirations and dreams coming from Elmira."

7. The iPad

"I take it all over. I go to my email or I go to newspapers, magazines. But GQ, I like in the hardcopy—the real thing."

8. Midnight Cowboy

"Dustin Hoffman was genius in it. And Jon Voight. I also love the music—Glenn Campbell. There's a scene where Dustin Hoffman is walking across 43rd and Broadway, coughing and lost in traffic—his acting was genius. It was brilliant. I also loved him in The Graduate."

9. Vintage Rolex

"The new one is too new. The vintage has the patina, the history. I like the Daytona. My father used to be a watchmaker, and he loved Omega. I don't own one, but I like Omega, too."

10. Tennis on grass courts

"I play tennis on clay courts, also. But I like grass because I think it's just such a thing of the past. You don't really find it any more. But, you know, I play on clay and I play on Har-tru. But grass—I have a grass court at my home in Connecticut. And it's sort of like going back in time. It's a slow bounce. I play every weekend with a group of friends. I only win when I'm lucky."

Get Some Color

Noticed that American men have been breaking out of the holy trinity of blacks, blues, and grays? We say: About time! So crank up the brightness, like Cam Gigandet, the star of this summer's Priest, shown here on the technicolor streets of Mexico's artsiest colonial town

Dig the New Hues
The colors we're talking about here are vivid, richly saturated, and offbeat—not pastels or the same old primaries.

Suit $1,350 and shirt $295, by Calvin Klein Collection. Loafers $595, by Prada. Bracelet, by Miansai by Michael Saiger.

Before You Take the Plunge
Used to wearing neutrals? Go electric one piece at a time. Once you've got it, start to mix and clash.

T-shirt $29, by Guess. Pants $225, by Burberry Brit. Belt, by Gap. Bracelets, by Me&Ro. Necklace, by Rogues Gallery. Fedora, by Selima by V.

Brash Colors, Grown-Up Cuts
Nothing wrong with bright tees. But to really go for it, try tailored pants, formfitting shirts, and even suits.

Polo shirt $39, by Tommy by Tommy Hilfiger. Chinos $228, by Unis. Belt, by Burkman Bros. Fedora, by Urban Outfitters. Her slip, by D&G. Bracelets and earrings, by Me&Ro.

Bring It On Home
You don't have to be on a sexy getaway like Cam and model Alyssa Miller to get colorful. It's a bold move, Stateside or abroad.

Shirt $238, by Band of Outsiders. Shorts $540, by Bottega Veneta. Belt, by Gucci. Her dress, by Opening Ceremony.

Color Theory, Decoded
Our favorite can't-miss color-mixing trick? Wear two pieces from one color family: Pair blue with green, or red with orange.

Sweater $575, by Prada. Chinos $240, by Acne. Sandals $375, by Barbara Shaum. Belt, by Band of Outsiders. Bracelets, by Miansai by Michael Saiger. Fedora, by Still Life.

Two's Company
A pair of serious, assertive colors is all you need. Throw in a third and people will wonder if you're kidding.

Shorts $705, by Louis Vuitton. Shirt $59, by Tommy by Tommy Hilfiger. Espadrilles $24, by Topman. Belt, by Paul Smith Accessories. Bracelets, by Miansai by Michael Saiger. Necklace, by Rogues Gallery.

Nothin' Busy About It
Every look you see here is based on solids—not patterns. Bright and saturated colors are aggressive enough without checks or plaids.

Sports jacket $1,390, by Gucci. Jeans $70, by Levi's. Sandals $630, by Tom Ford. Bracelet, by Me&Ro.

The Family Tree of Freaks, Geeks, Bridesmaids, and Bros Read MBros

It's been over a decade since Paul Feig and Judd Apatow's shortlived but long-loved teenage dramedy "Freaks and Geeks" graced the airwaves, but never have a bunch of pot-smoking high school recluses gone on to such great success. We trace the ripple effect of the pioneering show right up to this weekend's blockbuster comedy Bridesmaids.

The Week in Style: 05.13.11

Russell Brand in Miami Beach, Florida.
Mini-trend of the week: British dudes reviving '90s girl trends. First up, Russell with the angsty, coquettish, over-the-shoulder flop.


Gavin Rossdale in London.
Make no bones about it, these over-the-thumb sleeves are straight-up Jennifer Love-Hewitt circa Party of Five.


David Beckham in Los Angeles.
Beckham spans two decades with '90s capris and '00s fro-yo.


Ed Westwick in London.
Protect ya neck, Westwick.

Robert Pattinson in Sydney, Australia.
Your gratuitous Rob-Pattinson-in-a-suit photo. Looks good, etc.


Brad Goreski in NYC.
This is dope. Somebody's been reading GQ.com.


Naomi Watts and Liev Schreiber in NYC.
At first, we thought he was a deadringer for Jack Donaghy. Then we realized it's after 6 and he's not wearing a tux.

Russell Brand in Miami Beach, Florida.
Shit dawg, where'd your crotch go?


Tomo Milicevic, Jared Leto, and Shannon Leto in NYC.
It looks like Rainbow Brite threw up on his shoes.


Owen Wilson in Cannes, France.
Owen Wilson crawled up in our brains and discovered our favorite suit of the summer: a not-quite-white, not-quite-gray shade that we have been dubbing "concrete."


Johnny Depp in Anaheim, California.
Remember all the times us and everyone else have preached that Depp can do no wrong? Well, we lied.

Zachary Quinto in Los Angeles.
This is a totally legit look on Quinto, and unusually approachable, too. Looking to up your style game? It's as simple as fitted blazer, a repp tie, and some slim-fitted gray pants.

Josh Brolin in NYC.
Why is Brolin losing his shit? Caption contest, go!