I came close. Very close.
Not to winning the Best Sommelier in America 2011 contest.
To becoming a legend among sommeliers by setting fire to my $3000 Zegna Su Misura suit during the decanting portion of the competition. Decanting includes holding a bottle above a lit candle, which is playing with fire for someone like me.
Just in time, Aldo Sohm, one of the organizers, raced in from the sidelines and lifted my arm from the flame. Actually, I wouldn't have been the first to add conflagration to my credentials. A judge, Roger Dagorn, told me about a long-ago competitor, a former sommelier at Restaurant Daniel in New York, who carelessly allowed the wicker basket holding his wine to become engulfed in flames.
I entered the two-day contest, hosted by American Sommelier and held earlier this month in New York, with dual status. I was not quite a participant and by no means a challenger for the title. I was permitted to take the same tests as the 29 genuine entrants, and I was given a bye into the second-day finals, usually limited to those who have placed in the top four on day one. For me, it meant an opportunity to get an insider's look at an arcane profession that is rapidly gaining popularity even as mass-market interest in the ceremony and formality of fine dining decreases. Dagorn recalls only about a half-dozen professionals working in Manhattan 20 years ago, but these days restaurants are sprouting sommeliers. The collecting and drinking of fine wine is an obsession of the very wealthy, and, at the same time, interest in lower-priced wines from around the world has become a passion of those with lesser incomes. The sommelier, of course, must be a master of both the rare and the unusual.
I have never worked in a restaurant. A few days before the competition, I asked Sohm if there was anything I could do to improve my chances of performing credibly, and he suggested I read up on service. I did not take his advice. It seemed as unlikely to advance my chances for success as skimming the Kama Sutra would prepare a man for his first night of making love.
My confidence ebbed further when I told a friend with knowledge of these events that I planned to enter. Her reaction was more than unkind.
"You're out of your mind," she said. "You're going to get killed. I thought you were going to be a judge."
"I'm not qualified to judge," I replied.
"No, you're not qualified to compete. You're not a professional. You're a...a...a...writer! Why don't you take the New York State Bar Exam. You have as much chance of doing well on that."
I thought she was deliberately exaggerating. I know how to open a bottle. I understand wine lists. I can taste wine as well as the next amateur, use words like "brambly" and phrases like "redolent of honeysuckle." She asked me if I knew how to use a gueridon. I'd never heard of a gueridon, the little cart on wheels that sommeliers push around the dining room.
"Listen," she sneered, "there's always a couple surprises in these things. Someone who's brilliant and adored and runs a top dining room comes in and bombs, and then there's somebody from a dump of a town in Michigan who beats the guy from Le Bernardin. Sometimes people come out of nowhere and do fabulously. But it's not going to be you."
···
I put a corkscrew and a box of wooden matches in the pocket of my suit jacket, and headed for the Jumeirah Essex House, just off Central Park in Manhattan. Only later did I learn how badly armed I was. Serious competitors are known to carry two corkscrews, two lighters, two cigar clips, one cigar punch (whatever that is), matches, business cards, a pad, and several pens. Cigar-service is part of the competition. I've never smoked a cigar, let alone advised anybody on how to select one.
The first day started with two seated tests, the first a written exam, the second a blind tasting. I took a table across from Ian Cauble, wine director of the Ritz-Carlton in Half Moon Bay, California, who was intensely studying three-by-five cards. He had box after box of them, and I asked permission to look at a few. What are the main soils of the Jura? (Soils? I only know one wine from the Jura, vin jaune, or yellow wine, and I have no idea if that's a nickname.) Name the districts and wards of the Western Cape. (No idea.) I asked Cauble if the Western Cape was part of Australia. He assured me it was not. I guess I'm not so good at geography, either.
Sydney Paris, the beverage director of Prima restaurant in San Francisco, overheard our conversation.
"Remember," he said, anticipating my test results, "there is no crying in sommelier competitions."
I assumed he was making a joke.
"I am not," he said. "I've seen people cry, faint, even fall over from stress."
Everyone in the room except me looked young, smart, and well-prepared. They also looked nervous. I was not. They had their careers. All I had was my self-esteem, practically nonexistent where wine is concerned. I once identified a Moscato d'Asti poured by a famously cranky importer who needed to be impressed in order to continue our interview, but that was more than 20 years ago, and I had never topped that simplistic feat. I thought I was dressed better than my competitors. Oddly, sommeliers tend to favor very wide ties.
Our first test was The Written Theory Exam. As best I could tell, none of the 77 questions had anything to do with theory. They delved into obscurity. Define Falernian. (Define it? I've never heard of it. The answer: A word describing a wine produced from grapes grown on the slopes of Mount Falernus in the time of ancient Rome.) What is a feuillette? (No idea. The answer: A French wine barrel—maybe I should have known that.)
I'm pretty sure I got three questions right. Maybe a dozen other answers were almost got right, like this one: In what modern country is thought to be relics of the oldest winery? How old are those relics thought to be? The answer was Armenia, 6100 years ago. I said Greece, 2300 years ago. Almost perfect, by my generous reckoning.
I asked Cauble how he had done. He shook his head. "Nothing they asked was on my cards. None of these answers are in those 500-page wine books. You can't study for a test like this. It's about experience and conversations."
I had hoped for a few questions that reflected my personal knowledge of wine, almost all of it picked up in the mid-to-late 20th century. Here's one: What's the word? Answer: Thunderbird.
I did a little better on the second exam, a blind tasting, although I don't believe I got anything exactly right. I came close, but in the alcoholic-beverage business, close only counts on breathalyzer tests.
Decanting and serving wine tableside was the ultimate trial of day one. I walked into a room with a table and two seated customers awaiting service. Sohm said the couple was celebrating the gentleman's birthday and that they had ordered a 1990 Cuvée Cathelin, purposely providing an incomplete description of the wine. The woman was the host—no longer can sommeliers assume that the fattest man at the table orders the wine. Off I went, to disaster. Try as I might, I could not remember the producer of Cuvée Cathelin or where it was from. (It's J-L Chave, and his 1990 Chave Cuvée Cathelin Ermitage is a $3000 wine from the Rhone.)
I grabbed a wine cradle—metal has replaced those flammable baskets. I took a bottle of wine standing in for Cuée Cathelin. I couldn't get it to sit properly on the newfangled cradle. It kept slipping off. I could not extract the cork, even by tugging. I was paralyzed by inferiority. By the time I did get it out, my little rolling cart—gueridon to those snooty sommeliers—was littered with bits of foil, hunks of cork, and blood-red drops of spilled wine. It looked like Freddy Krueger had entered the competition. It was during the extraction process that I placed my sleeve in the flame of the candle. I did everything but run screaming from the room with my hair on fire.
Afterward, I was permitted to watch other contestants perform. Quite a few, like me, did not recognize Cuvée Cathelin. Some had the same problems as I did with the cradle. One in five had the same problem extracting the cork. The wine substituting for the Cuvée Cathelin was a nine-year old Italian Grignolino that almost certainly was bottled with cheap corks. (Italian corks are not beloved in the industry.) After one entrant had exceeded even my level of ineptitude, a judge, Robert Bohr, leaned toward me and said, "You're not dead last."
···
The job of sommelier is back-breaking physically and mind-bending mentally. He or she must carry cases of wine from delivery vans, and I've known female sommeliers who did it in high heels. Sommeliers answer more questions than quiz-show contestants, and not just about Burgundy, Bordeaux and the Rheingau, the only regions they had to master a half-century ago. Sometimes, the questions are simplistic. Giselle Hamburg, sommelier at the Tarry Lodge in Port Chester, told me what she's most often asked: "We want a really good wine and don't want to spend a lot of money. What do you recommend?" In the service portion of the competition, the sommelier was asked by a make-believe guest what clone of Nebbiolo was used in making 1985 Giacomo Conterno Barolo Riserva Monfortino. (You think I knew?)
The position of sommelier incorporates ritualistic and ceremonial elements of the sort found in religious services, especially when sommeliers wear their shiny silver tastevins, not much different from the pectoral crosses that hang from the necks of clergy. Athleticism is required, too. We often hear that the difference between amateur sports and professional sports is speed, and that also goes for wine service. Finally, a good sommelier must be a competent psychologist, responsible for stabilizing the mental health of uneasy customers. No longer do the duties of the sommelier, as in my early days visiting French restaurants, include foisting oxidized wines on the unknowing and sneaking sips of `55 Latour from the decanters of customers naïve enough to let them out of their sight.
As day two started, I wondered if my performance could get worse. Certainement. Day two was in front of a live audience. I left a pad with Hamburg, with instructions to take notes on my performance. This is her first one: "Richman is about to get a whopping he'll never forget."
I was disgraceful in the blind tasting. I didn't like any of the wines placed before me, and I realized that I had no experience analyzing wines I wasn't enjoying. Always, I'd dump them and move on to something better. Sommeliers have to be more composed than that. In another of the six segments, candidates had to recognize obscure local names for wines and expound on their properties. I got zero right. (The one I thought I knew turned out to be a red wine, not a white, as I had confidently announced.) I excused myself from the cigar competition. I suppose I could identify an exploding cigar if it blew up in my face, but that's the extent of my expertise. I did fairly well finding mistakes on a made-up wine list. I even noticed that Château Lascombes, a second-growth Bordeaux, was misidentified as a third growth. I was irrationally proud of that.
The service competition was impossible. Each candidate was given 22 minutes to deal with three tables and execute tasks that included identifying, decanting, and pouring a wine; serving champagne to a party of two (that suddenly became a party of three); and suggesting wine pairings to a couple that had chosen a six-course menu. As soon as I realized I had no chance, I transformed myself. I adapted the persona of a character never before seen in a sommelier competition. I became an Old Jewish Waiter. I told jokes, often at the expense of the people I was serving. While pouring champagne, I reminded customers of the philosophy of Chuckles The Clown, a character from the old Mary Tyler Moore Show: A little song, a little dance, a little seltzer down your pants. Bohr said he wouldn't mind hiring someone like me for his restaurant, "...but you would have to be supervised."
The final segment was a head-to-head challenge. Each of the four finalists plus me stood before a table holding 20 champagne flutes. We were given a magnum (equivalent to two bottles) of champagne and these instructions: Fill all 20 glasses evenly. After pouring into a glass, no going back and adding more. The magnum should be empty at the end. I killed the competition. On my second glass, I estimated that the pour was perfect. I also heard a glug, glug as the champagne came out. Inspired, I moved as rapidly as possible, pouring to the sound of the glug, glug. I was faster than anyone else, by several minutes. I was more accurate than anyone else.
Afterward, I overheard Jared Fischer of Le Bernardin, who finished second in the competition to Alexander LaPratt, sommelier at db Bistro Moderne, talking to a friend. He was conceding that I had won the champagne pour. "It was a million-to-one-shot," he said, not in scorn but in wonder. I don't agree. I acquired my champagne habit before most of these kids were born, and something good was bound to come of it.
Sunday, 1 May 2011
Sex Trade
Want to take the sex in your relationship to eruptive new heights? The hottest and most salacious mom in Canada, Kelly Oxford, proposes that it's time to put sexual favors on the table and start negotiating
In the beginning, every serious romantic entanglement is an electric, superconducting, steamy, fleshy hump festival. New sex partner = new sex, and new sex = lots of sex. That's sex math. You're in the kitchen making pasta sauce—bam!—you're having sex on the floor. You're parking the car in the garage—bam—you're having sex in the car. But inevitably, invariably, it wears off. Soon all your conversations, once so filled with erotic promise, are about bills and barfy kids and how that swollen knee makes your leg look like Jackie Gleason's.
Then, one night, she's sitting next to you on the couch, perfecting her mock-Piers Morgan accent, when she stops and says, "Man, I really want a Slurpee." Meaning, of course: "Will you go get me a Slurpee?" But by now you're way past the white-knight stage of the relationship, so you don't budge. And then it occurs to her.
"Will you get me a Slurpee if I give you a blow job?"
And everything goes silent for a moment. Then she raises her eyebrows and does that blowie-pantomime thing with her tongue inside her cheek. The one she hasn't done since, oh, month four of the relationship. With a single gesture, an arousing new world has busted open. You are—let's face it—whoring, but with a safe, committed partner. In no time, you're trading tricks for trips to the dry cleaner. You're making dinner for the kids, and later that night you're coming twice.
The negotiation process quickly becomes its own thrill. But know the terrain, boys. Example: Your woman proposes that you pick up a box of ice cream sandwiches, a copy of W magazine, and a bottle of Essie nail polish (Lollipop color) in exchange for a three-position sex session. Analysis: That's not a good deal. Renegotiate. For that price, she'll also put on those thigh-high black stockings. And trust me, this is fun for her, too. A gentle spanking in exchange for taking out the trash during a rainstorm? A brief experimentation with a ball gag for two weeks of laundry? All this can be yours.
Sex bartering has been a part of my married life for so long that it's hard to believe there are couples who haven't thought of this yet. Now when I see a father at the water park with three young children and no mother in sight, I no longer think, "What a cool dad" or "How sad—widowed so young." Instead I think, "That guy's getting fucked for hours tonight." One of the biggest "deals" my husband and I ever "closed" was over a handbag that I wanted after our second child turned mine into a paint canvas. Among other things, I agreed to a Brazilian wax. Yes, I could've just bought the bag and skipped the bartering (and the wax). But what the hell fun is that?
There are, of course, ground rules. Number one: Only agree to sex acts that you're both actually interested in trying. If she doesn't really want to do the reverse cowgirl, dangling a pint of Cherry Garcia is not cool. Resentment will creep in. Number two: No reneging. Back-outs are the first sign that your "deals" are no longer in kinky air quotes, that the whole game has turned bloodless and one-sided.
Sexual heat in a marriage is a funny thing; sometimes it roars back when you least expect, and sometimes you have to light your own match. Last month my husband and I were out to dinner, and our waitress giggled and flirted with him the whole time—I could practically see her ovulating. And yet watching her eye-grope him snapped my libido wide awake. Our deal later that night was simple and unspoken: He could have whatever he wanted, and all he had to do in exchange was spend the rest of his life with me.
In the beginning, every serious romantic entanglement is an electric, superconducting, steamy, fleshy hump festival. New sex partner = new sex, and new sex = lots of sex. That's sex math. You're in the kitchen making pasta sauce—bam!—you're having sex on the floor. You're parking the car in the garage—bam—you're having sex in the car. But inevitably, invariably, it wears off. Soon all your conversations, once so filled with erotic promise, are about bills and barfy kids and how that swollen knee makes your leg look like Jackie Gleason's.
Then, one night, she's sitting next to you on the couch, perfecting her mock-Piers Morgan accent, when she stops and says, "Man, I really want a Slurpee." Meaning, of course: "Will you go get me a Slurpee?" But by now you're way past the white-knight stage of the relationship, so you don't budge. And then it occurs to her.
"Will you get me a Slurpee if I give you a blow job?"
And everything goes silent for a moment. Then she raises her eyebrows and does that blowie-pantomime thing with her tongue inside her cheek. The one she hasn't done since, oh, month four of the relationship. With a single gesture, an arousing new world has busted open. You are—let's face it—whoring, but with a safe, committed partner. In no time, you're trading tricks for trips to the dry cleaner. You're making dinner for the kids, and later that night you're coming twice.
The negotiation process quickly becomes its own thrill. But know the terrain, boys. Example: Your woman proposes that you pick up a box of ice cream sandwiches, a copy of W magazine, and a bottle of Essie nail polish (Lollipop color) in exchange for a three-position sex session. Analysis: That's not a good deal. Renegotiate. For that price, she'll also put on those thigh-high black stockings. And trust me, this is fun for her, too. A gentle spanking in exchange for taking out the trash during a rainstorm? A brief experimentation with a ball gag for two weeks of laundry? All this can be yours.
Sex bartering has been a part of my married life for so long that it's hard to believe there are couples who haven't thought of this yet. Now when I see a father at the water park with three young children and no mother in sight, I no longer think, "What a cool dad" or "How sad—widowed so young." Instead I think, "That guy's getting fucked for hours tonight." One of the biggest "deals" my husband and I ever "closed" was over a handbag that I wanted after our second child turned mine into a paint canvas. Among other things, I agreed to a Brazilian wax. Yes, I could've just bought the bag and skipped the bartering (and the wax). But what the hell fun is that?
There are, of course, ground rules. Number one: Only agree to sex acts that you're both actually interested in trying. If she doesn't really want to do the reverse cowgirl, dangling a pint of Cherry Garcia is not cool. Resentment will creep in. Number two: No reneging. Back-outs are the first sign that your "deals" are no longer in kinky air quotes, that the whole game has turned bloodless and one-sided.
Sexual heat in a marriage is a funny thing; sometimes it roars back when you least expect, and sometimes you have to light your own match. Last month my husband and I were out to dinner, and our waitress giggled and flirted with him the whole time—I could practically see her ovulating. And yet watching her eye-grope him snapped my libido wide awake. Our deal later that night was simple and unspoken: He could have whatever he wanted, and all he had to do in exchange was spend the rest of his life with me.
America, Meet Jackass Knievel
We doubt that your morning commute is half as fun as that of extreme-sports record breaker Travis Pastrana. You may not pop wheelies on your way to work. But in these summer-weight-suits, you'll look every bit the daredevil rolling into the office
Looking for Travis Pastrana? Keep an eye out for ambulances. Here are three clustered outside a gigantic empty hangar that looks like the top of an oversize golf ball half buried along the waterfront of Long Beach, California. It might be the only structure in California vast enough to contain the peculiar ambitions of America's most fearless daredevil, an action-sports polymath who is equal parts world-class athlete and modern-day Evel Knievel.
I'm not allowed to tell you exactly what he's doing in there—some of Pastrana's tricks are closely guarded secrets until the moment they're unveiled—but I can report that it involved some bizarre preparation. While set builders, engineers, and film-production people work busily in the background, Pastrana steps into a harness fitted with two bungee cords, which are attached to a five-story metal scaffold. The ungainly edifice was trucked in and constructed inside the hangar solely so our star can work on his "air awareness," but it looks more like he is auditioning for Cirque du Soleil.
If you're unfamiliar with his oeuvre, Pastrana is the most innovative and influential personality in action sports. A five-time U.S. amateur motocross champion and pioneer of freestyle motocross, he was the first person ever to perform a double backflip on a motorcycle. He is also a four-time Rally America car-racing champion, winner of eleven X Games gold medals, aspiring NASCAR driver, and holder of many obscure records involving wheels—another of which could be set today, if Pastrana succeeds.
His most culturally relevant accomplishment, however, is Nitro Circus, the popular series of self-produced videos that is best described as Jackass starring people with actual talents (most of them his friends from BMX, motocross, and skateboarding). Those videos begat an MTV series of the same name that in turn begat a sold-out world tour that will soon reach its apotheosis with a 3-D feature film. "I want people to say, 'Wow, that's a movie that's actually benefited by being in 3-D,' " he says.
Pastrana unclips his harness and limps over to take a break alongside his tiny spitfire of a girlfriend, Lyn-z Adams Hawkins, a professional skater who has several X Games medals of her own. Pastrana's only 27, but his legs seem a couple of decades older. Few athletes have endured, let alone competed with, so many breaks, tears, and blows to the head. He has had at least two dozen surgeries and nearly died at age 14 when he crashed during a motorcycle jump and separated his spine from his pelvis; doctors were amazed he was able to walk again, let alone resume his (ab)normal life. "If I was smart, I would just go live in a beach house somewhere," he says with a big goofy smile. "The problem is, when I take a week off, I still do the same shit that I do for a living."
If there's one thing that could save Pastrana from himself, it is, ironically, NASCAR. "Fans love him," says racing veteran Michael Waltrip, who recruited Pastrana as a driver. "He appeals to a demographic that NASCAR struggles to captivate." To Waltrip's surprise, Pastrana jumped at the chance to drive in circles. For one thing, it's a challenge. "Everyone thinks me going to NASCAR and being competitive is impossible," Pastrana explains, adding that stock-car racing actually lowers his day-to-day risks. "NASCAR is still dangerous, but comparatively it's pretty safe."
The signal is given for Pastrana to suit up for the secret stunt, and the crew gathers for a safety review. "Are there any lighting issues, Travis?" says a bearded man who seems to be in charge.
"I'll have my eyes closed," he replies, and chuckles. "So, nope."
Hawkins appears to be unconcerned. She has only one request. "Just don't break your hot dog," she says.
Notably absent are Pastrana's parents, who have grown tired of seeing their son bounce off unforgiving surfaces. "My mom can't really watch anymore," Pastrana says. "But she's always been good at allowing me to make choices." His dad, too, has long been aware of his son's nature. When Travis was 5, he announced he could fly with the assistance of a bedsheet. "My dad was like, 'Okay, jump off the roof. Let's see you fly.' " Mr. Pastrana pulled up a lawn chair as Travis jumped and...sprained both ankles.
Gesturing at an enormous ramp behind him, Pastrana reapplies his well-worn body armor and grins. "Now the lessons are a lot bigger."
Looking for Travis Pastrana? Keep an eye out for ambulances. Here are three clustered outside a gigantic empty hangar that looks like the top of an oversize golf ball half buried along the waterfront of Long Beach, California. It might be the only structure in California vast enough to contain the peculiar ambitions of America's most fearless daredevil, an action-sports polymath who is equal parts world-class athlete and modern-day Evel Knievel.
I'm not allowed to tell you exactly what he's doing in there—some of Pastrana's tricks are closely guarded secrets until the moment they're unveiled—but I can report that it involved some bizarre preparation. While set builders, engineers, and film-production people work busily in the background, Pastrana steps into a harness fitted with two bungee cords, which are attached to a five-story metal scaffold. The ungainly edifice was trucked in and constructed inside the hangar solely so our star can work on his "air awareness," but it looks more like he is auditioning for Cirque du Soleil.
If you're unfamiliar with his oeuvre, Pastrana is the most innovative and influential personality in action sports. A five-time U.S. amateur motocross champion and pioneer of freestyle motocross, he was the first person ever to perform a double backflip on a motorcycle. He is also a four-time Rally America car-racing champion, winner of eleven X Games gold medals, aspiring NASCAR driver, and holder of many obscure records involving wheels—another of which could be set today, if Pastrana succeeds.
His most culturally relevant accomplishment, however, is Nitro Circus, the popular series of self-produced videos that is best described as Jackass starring people with actual talents (most of them his friends from BMX, motocross, and skateboarding). Those videos begat an MTV series of the same name that in turn begat a sold-out world tour that will soon reach its apotheosis with a 3-D feature film. "I want people to say, 'Wow, that's a movie that's actually benefited by being in 3-D,' " he says.
Pastrana unclips his harness and limps over to take a break alongside his tiny spitfire of a girlfriend, Lyn-z Adams Hawkins, a professional skater who has several X Games medals of her own. Pastrana's only 27, but his legs seem a couple of decades older. Few athletes have endured, let alone competed with, so many breaks, tears, and blows to the head. He has had at least two dozen surgeries and nearly died at age 14 when he crashed during a motorcycle jump and separated his spine from his pelvis; doctors were amazed he was able to walk again, let alone resume his (ab)normal life. "If I was smart, I would just go live in a beach house somewhere," he says with a big goofy smile. "The problem is, when I take a week off, I still do the same shit that I do for a living."
If there's one thing that could save Pastrana from himself, it is, ironically, NASCAR. "Fans love him," says racing veteran Michael Waltrip, who recruited Pastrana as a driver. "He appeals to a demographic that NASCAR struggles to captivate." To Waltrip's surprise, Pastrana jumped at the chance to drive in circles. For one thing, it's a challenge. "Everyone thinks me going to NASCAR and being competitive is impossible," Pastrana explains, adding that stock-car racing actually lowers his day-to-day risks. "NASCAR is still dangerous, but comparatively it's pretty safe."
The signal is given for Pastrana to suit up for the secret stunt, and the crew gathers for a safety review. "Are there any lighting issues, Travis?" says a bearded man who seems to be in charge.
"I'll have my eyes closed," he replies, and chuckles. "So, nope."
Hawkins appears to be unconcerned. She has only one request. "Just don't break your hot dog," she says.
Notably absent are Pastrana's parents, who have grown tired of seeing their son bounce off unforgiving surfaces. "My mom can't really watch anymore," Pastrana says. "But she's always been good at allowing me to make choices." His dad, too, has long been aware of his son's nature. When Travis was 5, he announced he could fly with the assistance of a bedsheet. "My dad was like, 'Okay, jump off the roof. Let's see you fly.' " Mr. Pastrana pulled up a lawn chair as Travis jumped and...sprained both ankles.
Gesturing at an enormous ramp behind him, Pastrana reapplies his well-worn body armor and grins. "Now the lessons are a lot bigger."
The Friday NBA Playoff Kibitz
Each Friday throughout the playoff season, GQ's guest blogger Bethlehem Shoals and fellow hoop-head David Roth, a sportswriter for The Wall Street Journal and The Awl, team up for a wide-ranging, savant-level dialogue about the week's action and the games ahead. Click here for Volume 1.
David Roth: RIP Orlando Magic. I'm not feeling especially cheated at the prospect of not getting another round of Dwight Howard. I'm aware that he is, at the very least, a more effective rebounder and dunker than I am, at least at this stage in my career. But he's also a cocky beefcake-milquetoast who does nothing at all to make his teammates better or add aesthetic value to a game. Also, for reasons I can't totally explain, I take it personally that Howard is so bad at shooting free throws. And I hate him laughing at his crummy Stan Van Gundy imitation.
Bethlehem Shoals: I can't believe you're saying all this about the only man besides Michael Jordan to win both the Defensive Player of the Year award and the slam dunk contest.
Roth: And I can't believe that Nate Robinson never won Defensive Player of the Year.
Shoals: What makes Howard so frustrating is that, really, a player that athletic should provoke some strong response in us. Stromile Swift and Sean Williams could make us pop up out of our seats. With Howard, as with Derrick Rose a lot of the time, the level of athleticism is both cloying and mundane. It's good to see them building out more of a game from there, but at times it feels like the human race being conquered by space monsters. You're not really going to be marveling at their technological innovations while they're burning down Manhattan, and as it burns, you're not going to spend the whole time crying or running. There's going to be a lot of sitting around, trying to eat and sleep, and wishing the aliens would go pick on Paraguay.
Roth: So, the Grizzlies. They have been covered in this space, but I find them fascinating and harrowing to watch, if not exactly much fun. Although I do find it amusing that I barely knew some of Memphis's guys were in the NBA, and I kind of follow this stuff pretty hard. I remember Sam Young from Pitt, but 1) had totally forgotten about him and 2) still think his name has some NBA Videogame With Copyright Issues vibes on it. He might as well be named Player 31. The rest of the Grizz are similarly mysterious to me. Such as Darrell Arthur, for whom I wrote about 200 rookie cards when I was working at Topps, and then promptly forgot about. And I like Hamed Haddadi fine, but he looks like someone/everyone you'd see at a Dead Meadow show. All beardy and kind of checked-out and distractable.
Shoals: Anyone on the Grizzlies could be a folk hero, and I mean that in the most earthy, unimaginative way possible. I don't feel bad about that generalization, because they're just that: A blanket statement, but one that somehow doesn't involve picture-perfect teamwork or even much in the way of men-crafting-lodges chemistry. Also, I can't decide if it helps folk heroes to be flawed, or just kind of crappy, both of which would work in the Grizz's advantage. They turn over-compensation into a badge of honor, and as good as they've been without Rudy Gay, they'll be better, and far less grotesque, with his shooting and slashing. The question is, what will be lost? The Grizzlies have made it seem like anything is possible in this first round; maybe it's only for the viewers, but even the doomed teams can grab onto a scrap of that and use it to their advantage. The Grizzlies have ennobled the Sixers, whose avoidance of a sweep may have been the feel-good hit of the playoffs, and the Nuggets, who remembered that if they burned down the arena with both teams inside, then only the survivors got to win. Out of respect for Chris Paul, I won't put the Hornets in that category. I'm not sure how the Pacers fit into this, either.
Roth: Yeah, I'm still a little too sad about the end of the Chris Paul: Special Victims Unit (featuring Aaron Gray as Det. Werewolf and Carl Landry as The Chief) to go into that right now. And the Pacers were a Sixers, not a Grizz/Hornets crypto-success story, I think. Although the Pacers are maybe more like the Nuggets—lots of good players, surprising and admirably offbeat style, but not quite good enough to beat a really good team. (Also, a commendable attachment to type: Denver likes people with tattoos on their throats, Indiana likes clean-shaven white guys who breathe exclusively through their mouths)
Shoals: Maybe I'm partial to Philly, and I may be blatantly contradicting something I wrote earlier about Indy and the value of exposure, but I think the Sixers—especially Jrue Holiday—won a lot of people over. Maybe that's it. For the Pacers, it was an important commodity. We know who they are now. The Sixers had players that most casual fans were dimly aware of, but this wasn't just a chance to see them (being forced to, even). It was a solid argument for why we SHOULD be watching Philly for a long, long time. In Indy's case, it was good for the brand; with Philly, it was good for us.
Roth: As someone who lived for the Nets' one playoff win per season when I was a kid, I know how good it is, and how much it means. That one win is worth so much to fans, and can be worth just as much to the team's image. And Indy and Philly needed that currency so badly. It means that much more when, suddenly, you are no longer Team Despair. Not that Philadelphia fans will or could ever be happy, or would know what to do if they were.
Shoals: Jrue Holiday helps a lot. From a structural standpoint, having that kind of point guard makes zany wings like Thaddeus Young and Andre Iguodala a lot more palatable. All of sudden, they fall into line; they make sense. It's like in the olden days, when teams would build around centers, except from the outside-in, and with implications for other players that don't just involve a lot of passive gawking. Holiday also taps right into the part of the brain designed to geek out over point guards—he's got that level of control that allows him to take what otherwise might count as risks. That's one thing in a scorer, but when a player does that with the entire team at his disposal, it's one of those rare times when responsibility is bad-assed. I also wonder if the Sixers, and Holiday in particular, didn't benefit immensely from being matched up against Miami. Aside from all the obvious drawbacks that come with watching the Heat these days, the Sixers are also more likable because they do have a point guard. There's a sense of purposes that proceeds from there, one that couldn't be further from Miami's half-court offense.
Roth: Yeah, that's what it keeps coming back to for me with the Heat. I don't like the moody-black-and-white-Nike-commercial brand, I don't like the cornball grievance-farming or the studio-gangsta woofery on the court or a lot of the rest of it. But mostly I just hate their style of basketball. All these grunty isolations are not a good look, and they're no fucking fun. Not to get into rosterbations when there's still a lot of basketball yet to be played, but I wonder if they couldn't flip Bosh for a real PG this offseason. But I also wonder whether that'd make a difference. All those ball-stoppers are probably going to lead to a lot of stopped balls ("pause"—Kenny Smith) no matter what.
Shoals: We need to stop complaining about the Heat so much. Or at least start complaining about our need to complain. Because that is certainly their fault, too. Meta-suck.
Roth: Aesthetic AND ontological-theoretical bumout.
Shoals: I keep trying to figure out whether the lack of interest in the Heat, after all is said and done, has allowed for this season to be so awesome (more room for other story lines) or makes the awesome season all the more surprising (since we've had major stars, media time, and televised games wasted).
Roth: If it kept the freaking Magic off the air a few times, I'll take it. I don't need to see Fred Durst, Rep. Allen West and Donald Duck in the front row high-fiving every time Dwight Howard accidentally makes a free throw. That's what nightmares are for.
The GQ Guide to Denim Right Now
We sifted through hundreds of jeans in stores this Spring and came back with these 20 slim-fit pairs of all prices, fades, and badassery

Acne
Roc Soft Raw
$230
You know how your girlfriend's got her special ass jeans? These are sort of the guy version of those. They're not cheap, but a hell of a lot easier than doing squats. Buy 'em as small as you can button them. They'll stretch a little and age better that way.
Available at Acne Studio, 10 Greene St, NY and acnestudios.com
T-shirt (shown throughout), $52 by AG Adriano Goldschmied, available at AG Beverly Hills and AG Soho. Bracelet by Miansai. Boots by Red Wing Shoes.

Acne
Roc Soft Raw
$230

GAP 1969
Skinny-fit jean, Dark Star
$64.50
The masters of classic and affordable American essentials bringing another, well, classic, American pair of jeans. They don't have too many tricks and are perfect for a casual weekend look.

GAP 1969
Skinny-fit jean, Dark Star
$64.50

Naked & Famous Denim
WeirdGuy, black selvage
$135
Winner for Best Name for a Fit Ever goes to denim obsessive Brandon Svarc of Naked & Famous. WTF is the "WeirdGuy" though? It's got a tapered leg with a little more give up top. Perfect if you like a skinny jean but still want to have kids one day. Not perfect if you're looking for something on the lighter side. These are jeans with some serious, bulletproofish heft.


Hudson Jeans
Harper selvage straight leg in rinse wash
$238

7 For All Mankind
Slimmy in Chester Row
$169
Acne
Roc Soft Raw
$230
You know how your girlfriend's got her special ass jeans? These are sort of the guy version of those. They're not cheap, but a hell of a lot easier than doing squats. Buy 'em as small as you can button them. They'll stretch a little and age better that way.
Available at Acne Studio, 10 Greene St, NY and acnestudios.com
T-shirt (shown throughout), $52 by AG Adriano Goldschmied, available at AG Beverly Hills and AG Soho. Bracelet by Miansai. Boots by Red Wing Shoes.
Acne
Roc Soft Raw
$230
GAP 1969
Skinny-fit jean, Dark Star
$64.50
The masters of classic and affordable American essentials bringing another, well, classic, American pair of jeans. They don't have too many tricks and are perfect for a casual weekend look.
GAP 1969
Skinny-fit jean, Dark Star
$64.50
Naked & Famous Denim
WeirdGuy, black selvage
$135
Winner for Best Name for a Fit Ever goes to denim obsessive Brandon Svarc of Naked & Famous. WTF is the "WeirdGuy" though? It's got a tapered leg with a little more give up top. Perfect if you like a skinny jean but still want to have kids one day. Not perfect if you're looking for something on the lighter side. These are jeans with some serious, bulletproofish heft.
Hudson Jeans
Harper selvage straight leg in rinse wash
$238
7 For All Mankind
Slimmy in Chester Row
$169
The Ray-Ban Clubmaster
A pair of Ray-Ban Clubmaster sunglasses will instantly bring out your inner Don Draper, your talented (and stylish) Mr. Ripley, and your iconic Malcolm X. The best part about these retro-looking shades is that their throwback cool works on everyone, making you the movie star, the heartthrob, the rebel. Ray-Ban is best known for bringing back its notoriously hip Wayfarer style; now it's reissued the Clubmaster. Wear yours en route to the office to complement your trimmed-down business suit, or on the weekend to shade your distressed jeans. Either way, they'll make you the master of your own club.—Jim Moore
Ray-Ban
$145
Bottega Veneta
$475
Dolce & Gabbana
$580
I Ski
$22
Moscot
$255
Paul Smith
$400
Game Time
Shooting pool? Taking a meeting? Try one of these 15 elegant, any-occasion watches

Want a watch that's not chunky and trendy—but not so precious that you can't wear it to the bar? Wrap your wrist with the kind of simple elegance you can sport every day, everywhere

Patek Philippe
$25,600, available now
Available at Tiffany & Co. nationwide

Alfred Dunhill
Steel

Jorg Gray
Stainless steel, 37mm

Bulova
Stainless steel, 37mm

Glashutte Original Senator Automatic
Stainless steel

Burberry
Stainless steel
$395, available now
Available at Bloomingdale's

Tissot Visodate Automatic
Stainless steel

Skagen Denmark Super Slim Chrome and Black
Stainless steel, 39mm

Girard Perregaux
White or rose gold
$14,750, available now
Available at Girard Perregaux, 701 Madison Avenue, 646-495-9915

Zenith
Stainless steel

Longines Le Grande Classique Flagship
Stainless steel, 35mm

ck Bold
Stainless steel

Eterna Vaughan Big Date
Stainless steel, 42 mm
Want a watch that's not chunky and trendy—but not so precious that you can't wear it to the bar? Wrap your wrist with the kind of simple elegance you can sport every day, everywhere
Patek Philippe
$25,600, available now
Available at Tiffany & Co. nationwide
Alfred Dunhill
Steel
Jorg Gray
Stainless steel, 37mm
Bulova
Stainless steel, 37mm
Glashutte Original Senator Automatic
Stainless steel
Burberry
Stainless steel
$395, available now
Available at Bloomingdale's
Tissot Visodate Automatic
Stainless steel
Skagen Denmark Super Slim Chrome and Black
Stainless steel, 39mm
Girard Perregaux
White or rose gold
$14,750, available now
Available at Girard Perregaux, 701 Madison Avenue, 646-495-9915
Zenith
Stainless steel
Longines Le Grande Classique Flagship
Stainless steel, 35mm
ck Bold
Stainless steel
Eterna Vaughan Big Date
Stainless steel, 42 mm
America's 25 Douchiest Colleges
The question isn't whether you're a douche bag when you go to college. We were all kind of douche bags when we went to college, if we're going to be honest about it. No, the question for America's youth is: What kind of douche bag do you aspire to be? Like, Where can you go if you want to major in Jet Skiing? How about if you're a trust-fund type but are embarrassed about it? What if you want to lord your intelligence over people for the rest of your life, in the form of a bumper sticker? Picking the right school can be daunting. That's why GQ offers up its heavily researched, possibly stereotypey, but still accurate guide. (Hint: If you're an alum of an Ivy League school in Providence, Rhode Island, get ready to cancel your subscription!)
Will You Be My Black Friend?
people basically want to do one of three things on Craigslist: buy a sofa, find a place to live, or get a blow job in the next fifteen minutes. You can do other things, I guess, like find a tennis partner or someone to read your aura. But are you sure “aura reader” doesn’t really mean “guy who’s willing to give you a blow job in the next fifteen minutes”? It probably doesn’t seem like the right place to make a new friend, only a new “friend.” Friendships are supposed to happen naturally. But ask yourself: Do they? The last time I made a black friend was eight years ago.
I listed my ad in the “activities” section of the Web site. I avoided the “casual encounters” section. I had the ad vetted to make sure I wasn’t using some unintended shorthand that means I’m looking for someone to beat me up while I vacuum his living room. I labeled my post “Looking for African-American Friend.” I thought about saying “black.” There’s a difference between the terms black and African-American, and, constitutionally, I’m in the “black” camp. White people who say “African-American” are the same people who keep bottles of Purell hand sanitizer in their knapsacks. But I still wrote “African-American.” It’s a delicate thing, taking out an advertisement for a black friend.
My Craigslist post said, among other things, “I’m a 36-year-old white guy. I grew up in a diverse neighborhood and have always gone to diverse schools. I’ve always had a decent number of black friends. That’s changed over time. I work in the publishing industry, which is super white, and I’ve realized that my group of friends is getting whiter and whiter.… It’s amazing to me that almost everyone I know has either black friends or white friends, but not both. We could have a black president, and still not have a very mixed country.” Then I added a few more lines about don’t let me show up at the bar and you’ve got a horse tranquilizer for my drink. I guess you could say the post ran a little long. I guess you could say I was worried about the possibility of a misunderstanding.
Why one would take out an ad on the Internet looking for a black friend is a legitimate question. Here’s my answer:
I had a cocktail party the other night. A natural moment to look around at the demographics of your life. And I thought: Jesus Christ, there are a lot of white people in this room. I’ve always thought of the whiteness of my adult life as a temporary condition. Like somehow all these white people have been foisted on me; pretty soon it’ll change; it’s probably my wife’s fault. But it’s time to acknowledge that I’ve become a character in a Wes Anderson movie. I wear white tennis sneakers from the ’70s. I listen to ambient music. I have dinner parties where I serve Spanish rosé and this softer version of mozzarella that has a lovely, almost liquid center that you can only get at the Italian import store. I do yoga, and I get excited when it’s ramp season. Sometimes I’d really like to punch myself in the face. (You might argue that I’m not describing “whiteness” but “arugula-ness”; but when black people have this lifestyle, they get accused of being white.) I used to make jokes about “look at us here at the weekend house in the Catskills in our blazers and sneakers eating the braised pork shoulder from the Jamie Oliver cookbook with the David Gray on in the background—aren’t we like that Amstel Light commercial?” You know that Amstel Light commercial about the white people’s country weekend—it’s white-people pornography. But I stopped making the joke, because it stopped being a joke. Because I stopped noticing it.
About the cocktail party I mentioned: I invited my friends Twan and Rem, both black. Rem couldn’t come, so there was just Twan. I mean, the math here is pretty stark: If something happened to Twan or Rem—if one of them moved, or one of them stopped liking me—the number of black friends I have would drop by 50 percent. It would be like when Colin Powell resigned from the Bush administration and there was just…Condoleezza Rice. There’s a bright line there. The Condoleezza line. Admitting that you count your black friends is a violation of the Unracist White Person Magna Carta, but really, I couldn’t handle walking around knowing that I have the same number of black friends as George W. Bush.
the next day, no one answered the ad. The day after that, no one answered it. On the third day, someone wrote back, “What are you some idiot LOL.” I tried making it less boring, less qualified. I tried using the syntax from house-swap ads: “Will Trade My Whiteness for Your Blackness.” Days of silence. I had to admit that I wasn’t surprised. Would you answer an ad like that? Would you go out and meet the person who posted that ad without a Taser?
I didn’t really want to put GQ in the post. I figured the spirit of the project should be enough motivation. The nobility of it. People should read the ad and think, Damn, he’s right; let’s reengineer society one man at a time. I’ll also concede that I hoped this might yield an actual friend and not someone who only thought it’d be cool to be in a magazine. But no one was answering, so GQ went into the post.
The next day, Amber C—— wrote me to say, “so u wanna get some black friends well I’m black.“ Amber, what’s the attitude about? I like it. I sent off an e-mail. I never heard from Amber C—— again.
A guy named Ajay e-mailed: “hey yr project sounds like fun. If u are doing any project on southasian -indian guys and need help let me know -I would be interested.”
Meg sent this: “I am dark skined and I am married to a white person, we are both musicians and live very happy with each other.” The word shiva was part of her e-mail address. It sounded like a scenario where I end up playing the didgeridoo with a white guy in dreads wearing pants woven out of mustard greens, which seemed a little off point.
I got the impression that these were people at the margins. People outside the operating social networks. There are psychologists who study the anatomy of the social network. Human connection, as the phrase six degrees of separation would suggest, should be spread evenly over all of us like a layer of peanut butter on toast. Only what it really looks like is a ball of yarn: Everyone within a social network, real or virtual, is more or less connected to one another. Your friends tend to be friends with your friends, or they will be soon. And most networks are not connected to each other. Your ball of yarn is your ball of yarn, it is discrete, and once you are inside it, it’s hard to get out. This is what some research psychologists offer up as explanation for why black people and white people don’t know each other. It may also be why it feels so hard to escape my little sliver of the Manhattan publishing industry.
In time, I got some more promising responses. I received an e-mail from a guy named Mike A——. Gingerly, the way you teach an injured bird to eat from your hand, we were able to convince each other that if we met, neither of us was going to try to kill the other one and make a dress out of his skin. He was from Nigeria and worked as a doorman in Tribeca. He said he liked the spirit of what I was trying to do. “America is in the process of re-inventing itself again and that’s what makes America the greatest nation on Earth,” he wrote. I assumed he was talking about Barack Obama.
He got off work at midnight, and I told him I’d meet him at Puffy’s Tavern in Tribeca. I got to the bar early and ordered a Corona. Mike walked in wearing a striped golf shirt and jeans with a knapsack. I waved at him to identify myself. We smiled at each other and shook hands, and then we sat at the bar, facing the Red Bull display.
“I knew it wouldn’t be hard to know it was me,” he said. “I’d be the only black person in the bar!”
“So what part of Nigeria are you from?” I said.
He named a city I’d never heard of. His head was big and almost boxlike, and he had a kind smile, but there was something hardened about him. It wasn’t difficult to imagine that he’d moved over here by himself and had been through long periods of solitude. A lot of the people who responded to the Craigslist post seemed to be outside any ball of yarn—independent actors like Mike A——, pinging through the social universe. But in a place the size of New York City, the size of the world, the margins are teeming, finely grained beaches of souls that can be heartbreaking to ponder.
“So you’re from Woodside,” I said. Woodside, I thought, is the neighborhood you drive through to get to LaGuardia.
“Woodhaven,” he said. Maybe that was the neighborhood you drive through to get to LaGuardia. Or was it JFK? He lived there with a roommate whom he didn’t know well. He’d been in a relationship for two years, but they’d recently broken up and she went to Houston. There are all kinds of Nigerians in Houston. She’d kept him on lockdown, he said, so he really didn’t have friends to hang out with in the city.
“So I always thought doormen knew everything,” I said. “Who’s having an affair, who’s been shut in their apartment for six weeks, who’s ordering cocaine delivery at 3 a.m.”
Mike laughed. “I don’t know anything about that! It mostly seems like people are just so busy.”
We struggled on. I tried to sound casual, but the rhythm was off. Because of the mixture of anxiety and boredom you feel when talking to someone you don’t know very well for more than five minutes. He’d said in his e-mail, “I love to traveling, hangout, like bars, lounges, flirting with the girls, movies too…but only if its with a girl date, I think two guys watching a movie on a wknd is corny…unless they are couples lol.” But I couldn’t think of anything to ask him about traveling or lounges or couples lol. What did we have in common, really, besides 99.5 percent of our DNA?
“What does your wife think of you meeting me?” Mike said. “Like this.”
“Um. What do you mean?”
Mike looked at me like, What do you mean, what do I mean?
In his e-mail, Mike had assured me: “I’m absolutely 100 percent straight and just looking for hangout buddies.” Maybe when he asked what my wife thought of us being here, he was asking whether we had told each other that we were straight in some elaborate Kabuki-like form of mutual self-deception that now meant we could blow each other in the bathroom at Puffy’s without actually being gay. It was also possible that he was just saying like, you know how women are, keeping you on lockdown.
I took the opportunity to mention my wife seven times in the next ten minutes.
Even when we changed the subject, the weirdness of being together hung in the air around us. The fact is, we were two men who’d met on Craigslist meeting for a drink at 1 a.m., which no matter what we talked about, was a fraught situation.
Maybe it wasn’t about what color Mike was. Maybe the reason I hadn’t made any black friends lately was partly because it’s hard for men to make new friends, period, as life proceeds and one is no longer 23 years old and no longer has roommates named Jay and Sean and Josh. All new friends come prepackaged. All new friends are couple friends. MattAndChloe, Seth-AndSusan, ElizabethAndMichael. I can’t say exactly why. I have a theory that men get more bearlike as they age, increasingly taciturn, hairy, prone to long spells of slumber, prone to growly solitary rummaging. The man can get unsocialized as he ages. And the married man can come to believe there’s a division of labor: The woman forms the social connections, and the man is treated in social situations as if he were just learning to feed himself solid food again after a terrible accident. That’s why the older the man gets, the more isolated he becomes, the more rarefied his world is, the more other humans seem to be accelerating away from him, the more his friendships become dominated by figures so long known that they’re more like comfortable marriages than friendships.
i’ve always been a little too aware of the race of my friends. One of the most embarrassing memories I have is when I was 8 years old and I made my uncle guess whether my best friend was black or white, and he just started laughing at me. “He’s black!” I said, already feeling like there was something wrong with my question. I didn’t know one of the basic unspoken rules in America, which my question (and this essay) is a violation of: It’s okay to be proud of having black friends.
This best friend’s name was Bobby Poindexter. He was tiny but adult-seeming even in the second grade. He wore a white vest to school sometimes. He was a little Marvin Gaye motherfucker. If you could smoke menthols in the second grade, that’s what Bobby Poindexter would have done. He used to take me to his church, which was way different from any church I’d ever been to. He had an Aunt Bootie who was 400 years old, ate Horehound candy, and carried a purse filled with Bibles and what must have been twenty pounds of concrete. He introduced me to the idea that you could have “cousins” who weren’t your cousins, and he called me “cuz,” which was in retrospect a precursor to “nigga,” which I bet he wouldn’t have called me. I identified with Bobby Poindexter because he was bused into my elementary school and he existed outside the social strata of my world. I felt absolutely no social anxiety when I hung out with him, which made him one of a kind, if you didn’t count my mom, who I couldn’t bring to school with me.
Later, in high school, Bobby Poindexter was killed in a car accident. He was drunk and crashed into someone’s living room. We all turned out for the funeral, the whole high school. I wrote an elegy of our friendship in the school newspaper about how we used to be best friends but when we got to the more racially diverse high school he sort of fell in with the black people, I fell in with whiter folks, and we stopped hanging out. It was the story of amicable racial estrangement, which is the story of every phase of my life. Like, the trend line in high school was toward segregation, despite us being forced together for meetings hosted by the Student Group on Race Relations, and the colloquia held in the small auditorium by professional public speakers who used to be in the Crips. College was more segregated but somehow odder, because there was no everyday racial tension. Black was black and white was white, and there was no artificial, socially engineered program to change that. (Though I did insist on joining a fraternity with at least one black person. Exactly one black person, actually. Kari.) And as an adult? I wouldn’t even use the word segregated anymore. Unless you could say that the French are segregated from the British.
Amicable racial estrangement is also the story of America at large, circa right now. Demographically, studies show that the country has been quietly resegregating—and this time, self-segregating. It’s the era of racism without the actual racists—8 percent of white people say they would be “uncomfortable” voting for a black man to be president; it’s the other 92 percent who say they’d vote for a black person, but as often as not aren’t actually friends with one, that I’m talking about. Contemporary life can be arranged as a series of homogeneous zones that white folks can glide between—Westchester and Block Island and surfing retreats in Mexico—with only the most glancing, waiterly contact with all but the least foreign-seeming black people, or really with anyone different from you at all. What’s changed is, in the ’70s and ’80s, there was a kind of post-’60s social optimism about how we were going to sit down in a big circle and talk it out and become one great human family and be free to be you and me. That’s when I grew up, and I’ve been waiting for the big coming-together ever since. But something happened. I’m not sure exactly what. Maybe people resented the social engineering. Maybe it just felt too hard and everyone was relieved when they didn’t have to try anymore. But we don’t seem to have the stomach for that kind of change as a culture anymore, personally or politically—if that had been part of Obama’s message, he wouldn’t have made it out of Iowa.
Would anyone today make a television show about the funny culture clash that happens when a wealthy black dry-cleaning-business owner moves into a white high-rise building? Or about the funny culture clash that happens when a white guy adopts two black kids, one of them being Gary Coleman? We seem all fired up about talking about other great divides. “Immigration” (i.e., there are too many Mexican people) is a hot-button issue. So is Red and Blue America. But relations between the races doesn’t seem to be what you would call relevant anymore, despite what we’re told about the significance of the Obama candidacy. Two national conventions in the midst of a so-called racially historic election and not a single explicit word about race. Mike A—— might be right about how America is reinventing itself again, but it’s reinventing itself as a place that thinks it’s postracial and is completely segregated. Does fish fry in the kitchen? Do beans burn on the grill? No one seems to give a shit anymore.
the responses on Craigslist slowed to a trickle. I tried doing up a flyer. It said looking for an african-american friend at the top. There was a description of what the idea was, and at the bottom were little flaps you could tear off printed with an e-mail address—gqdiversificationproject@gmail.com. I put my face on it with a little word balloon that said, “Hello! I’m Devin.” I looked like an ass, but apparently that was part of the program. I guess I still wasn’t sure whether this whole thing was a joke or not. I’d told a few people about what I was doing. They mostly laughed. So it’s satire, they said. Not exactly, I said. I put the flyers up in Harlem and in Bed-Stuy, which I didn’t even know how to get to without a map. I made Twan come with me in case someone took it the wrong way (Don’t punch me! Some of my best friends…!).
The only guy who responded was Mario G., a 43-year-old DJ from Harlem who loves roller-skate discos. We met for an iced coffee near my office in Midtown. He wore a white straw hat and a white mesh shirt. He said he’d had a blessed life and that he smiles every chance he gets. He kept balloons in his pocket for kids. I liked Mario a lot, but I don’t think he was here to meet me because he wanted to start hanging out and playing fantasy football together.
Mario, like a lot of the people I met, seemed to see me as something more than Devin the individual. It was like I was a collection point for things people wanted to say to white people but never had a chance to. Mario wanted to tell me a story, which I think was his commentary about race in America, about a guy he’d met in the Marines.
“I loved him like a brother,” he said. “He was an addict. The last time I saw him, I could tell he would die soon. And that because I wasn’t in his world, you know, because I was his only black friend and he was my only white friend, that I would probably never find out that he died. And sure enough, I lost touch. I tried to call him this year, but his number had been changed. I just would have liked to have gone to his funeral, or at least found out that he died. It never sat right with me.”
Then he offered to make me a balloon animal.
“Why did you respond to my flyer?” I asked, before he left.
“You said on it, ‘Ask yourself, how many white friends do you have?’ And I had to admit, I didn’t have any.” Then he said, “I’m glad I did it.”
when i pitched this story in a GQ meeting, everyone at the conference table laughed. “That’s funny. Will you be my new black friend?”
“No, really,” I said.
Everyone got quiet. Like: Um, I’m not really qualified to say if that’s an awful idea. That’s been pretty much the reaction of all white people who hear about it. They stop talking. My feeling is: Fuck them. Unless you’re willing to say what the situation is, then you’re part of the problem.
Even if my intentions were noble, though, I have to admit that there was something about putting up an advertisement on Craigslist that didn’t feel quite right. One afternoon I found this Web site called Rent-A-Negro.com. It’s satirical. You can log on and fill out a form to rent a black person—part of the joke is that black people get used all the time, anyway, so they might as well get paid for it. On the home page it said: “What can you give a person who has everything? Give them a new black friend!” Sitting in my office, clicking through this Web site, my blood went cold. It was like it had been invented to make fun of me, personally. One of the weirder aspects of racism is that no one is ever sure whether he’s racist or not, except for those few people who are totally okay with being racist. The rest of us, having internalized the knotty racial logic of this country, the contradictions about how you need to be color-blind and not color-blind, keep a wary eye on ourselves to see whether or not what we just said or did or thought was racist. And this project started to feel like the worst kind of tokenism—e-mail me here! I don’t care who you are as long as you’re black! I remembered what a friend of mine said about the ad I’d taken out: Why don’t you just get a lawn jockey and carry it around with you to parties?
So I took a new tack. I’d ask Twan and Rem to introduce me to their friends. Twan and Rem, like almost every black person I’ve ever been friends with, each live in two different balls of yarn: They have a blacker world and a whiter world. I called them up. It’d be funny, I told Rem. But also serious. “I’ll be careful,” I said.
“Yeah,” Rem said. “You should.”
Rem introduced me to Bjorn, one of seven black Bjorns in the known world (I made that up). Bjorn and I met at a German beer place and he told me what a real estate banker does; he told me about his wife, Emily, and I tried to figure out whether or not she was white, because I felt like you can’t just ask. Rem introduced me to Pete, who brought me to an informal drinks session for people of color in finance, mostly traders, and mostly like other traders I’ve known—they love Vegas, they love steak houses, they seemed to know a thing or two about whey protein. They all bro-hugged each other, but when Pete introduced me they shook my hand like I was going to interview them for a student loan.
It seemed like every other day I had a lunch or a dinner or a trip to Brooklyn planned. I’d be standing on the corner of 47th and Madison or 23rd and Seventh or some other appointed meeting spot, looking expectantly at every vaguely brown person who walked past me: Are you my black friend? It was like a second job. It was like being one of those people who decide that they’re done with being single and they’re going to do something about it and proceed like a headhunter looking for an account executive.
in time it became clear that there was one other refinement I needed to make to The Project if I was going to make an actual friend. I kept meeting people for a drink, just the two of us, at a bar where it was quiet enough to talk. That isn’t how you make a friend. That’s a blind date. And blind dates are almost exactly like job interviews, where the small talk feels so incredibly small and heavy at the same time, where every word is so fully triangulated, Well, I like some of the Wu-Tang Clan’s music, but some of it seems kind of unformed, but they’re still total geniuses, that you end up sounding like John Kerry circa 2004, and you’re just relieved when it’s over. The key was to go to an organically occurring event, meet like-minded people, see if we have anything to talk about. I had to presume, since we’ve established that the social life of black America was pretty opaque to me these past eighteen years, that black people have parties, right? So theoretically I could go to one of these parties. I’d probably be kind of a celebrity, a token-y conversation piece—hey, let’s go talk to the white guy!—and next thing you know, I’d have a new black friend.
I’d recently had a drink with Baraka, one of Rem’s friends. And he’d mentioned something about a party up in Harlem. His friend Ralph was throwing it. I saw my opening. What about like, would it be cool if I came? My wife and I took the train up for it. I got all up in her business about what she was going to wear. “Don’t dress like a tomboy,” I said. “I feel like black women don’t dress like tomboys.” She said, “I don’t know if you realized, but I am white. Even when I’m wearing the right shoes.” She gave me shit the whole way up there after that. On 125th Street, I accepted a Jesus flyer from a guy on the corner and said, Thanks! “If that guy were white, you’d never have taken that,” she said. “That’s fucked-up.”
When I showed up, Ralph said, “Come in here and let me indoctrinate you.” He poured me some Hennessy and gave me some fish he’d made. Ralph is 74 and from Trinidad. To meet him is to be charmed by him. And his mischievous face. He’s the kind of guy who could tell you a story about how he was having a three-way with two 17-year-old girls when his wife walked in on him and you’d say, What a rascal. (His wife was actually upstairs, behind the drawn curtain in one of the windows—Ralph’s been taking care of her since she had a stroke.)
I’d have to say, though, that I was not a celebrity. I didn’t have anyone to talk to. Baraka was late. There were five women sitting around a baby, but there was a male-proof force field around them. I tried to make conversation with a giant guy with dreads who was cooking a deer leg on the grill.
“Do you think you can taste the mesquite?” I said.
“People say you can,” he said.
“Mesquite’s a hardwood,” I said.
What was I talking about? What the fuck do I know about mesquite? It’s hard enough to be at a party where you don’t know anyone. But when you are the only white guy, you feel like you can’t even be awkward in private. And when you do talk to someone, there’s a social hump between you. It’s like you’re having two different conversations, the actual conversation (“Mesquite’s a hardwood”) and the subtitled one, which goes: “You are black.” “You are white.” “Hello, black person!” “Hello, white person!”
The feeling I had at Ralph’s had been explained by research psychologists. Studies have been conducted in which a black person and a white person who didn’t know each other were placed in a room together. The white person would usually start exhibiting all kinds of nonverbal cues about his state of anxiety: blink more, breathe heavier, arrange his chair farther away—the kinds of things I was probably doing to the man with the dreads working the grill. When they are interviewed, the white subjects say the anxiety comes from being worried the black person’s going to think they’re racist. That’s why it’s the more racially aware people who seem the most racist. For them the little voice that says “I’M TALKING TO A BLACK PERSON!” is deafening. And for people who aren’t worried? At Ralph’s my wife asked this pretty young woman in jeans and a tank top, “What is soul food, anyway?” It was like the scene in a movie where the guy tries to throw himself in front of the bullet—nooooooooooooooooo! It’s precisely the thing I wouldn’t ever ask, even if I didn’t know (and I swear: I know what soul food is). But you know what happened? The woman answered my wife. And I believe they had a better chance of becoming friends because of it.
Later, when it got dark out, Ralph put on a Trinidadian record everyone knew. And one of Ralph’s sons, he’s a plumber on Staten Island, took out this kidney-shaped plumbing fixture and started wailing on it with metal sticks. Then this other guy, an old friend of Ralph’s with a bald head and a wide mouth full of beautiful teeth, started singing this song about a woman with black eyes. And everyone started singing. I can’t remember being at a party where people sang anything other than “Happy Birthday.” Now I know why I wanted to go to a black party, I thought. Because they’re fun. Because white people really are uptight. We have a lot of good points, too. But Jesus it was nice to be at a party where not a single person asked me what I did for a living. Still, I stood there, watching this fat woman (Don’t sit that bitch near my food, B—— said when she walked in) plowing through a plate of deer meat, tapping her toe, thinking: This seems like some kind of made-up cultural experience, like I’d ordered it in a catalog. Yes, hello, I’d like the Harlem sing-along picnic?
then, one night, I made a friend. I was sitting at this bar in Fort Greene, Brooklyn, with Twan’s friend Brett, who also could have become my friend if he hadn’t torn his ACL and been laid up for weeks and fucked up my deadline. Fort Greene is one of the rare racial mucous membranes in the five boroughs—it’s getting white-ified but isn’t there yet, and so is temporarily integrated. We were at the bar of a restaurant called Night of the Cookers, a modern-soul-food restaurant, the kind of place that has, like, pine nuts in the collard greens.
“This is kind of the last real black spot in Fort Greene,” Brett said.
“It’s good for property values,” I said. “The white people.”
“You know what’s weird?” he said. “No one talks to each other in Fort Greene anymore. Everyone just keeps their head down.”
Brett said hi to a couple of people and then a couple of other people. Then he said hi to a couple more people. He said, If you’re a black male and you went to college, I know you. A handsome man in a whitetank top with ripped biceps came up to us. He and Brett used to work together at the D.A.’s office in Brooklyn with Twan. Now he’s a criminal defense lawyer.
I stood up and we shook. He bro-hugged me, in a more artful, more nuanced way than I do it. My shit hadn’t been updated since the ’90s, really. To be honest, I was just going by what I saw on TV. I told him I worked for a magazine, and he asked me if I knew Rem. They’d gone to college together. What are the chances, I wondered, that this guy knew both of my black friends. This is some kind of sign. He must think I’m friends with tons of black people. We talked for a while about being a criminal defense lawyer, which is what my dad does, and how every idiot who finds out what you do says, How can you do that?
“I hate that,” I said. “People start to have a different attitude if their son or daughter gets arrested.”
“How can I do that?” he said. “How about the Constitution?”
His name was Kenny. I got his business card. We said, Let’s definitely hang out.
kenny is kind of intense. We met for coffee at a Starbucks near the Manhattan courthouse and we talked for several hours, him in his Paul Smith suit and this impeccable knot in his purple silk tie, a knot you could tell he very carefully mastered how to tie. He told me about growing up in Brownsville and Crown Heights. And how he told his son that George Washington wasn’t who the teachers at school said he was: He was a man with slaves. And how this white lady he worked with wanted to know how he could brush his hair so it’s wavy instead of kinky. He told me about the time in Alabama, after he’d watched one of his uncles shoot and kill another of his uncles with a shotgun, and his family had all gone to the hospital with the dead uncle, and Kenny was outside in the twilight, jumping off the loading dock onto the ground, and a white woman and her son walked past and the son pointed at him and said, “Look at the little nigger boy jump.” And he told me about getting cut with a razor blade across his face when he was in high school, which he said he deserved for getting in over his head in a fight. And he told me about his father, who had been an elevator operator in Tribeca for thirty years, who was a defeated man and told him no one would ever let a black man like Kenny accomplish anything, who Kenny said was worse than having no father at all. He told me about finding him dead on the floor of his house last year with what Kenny described as an exploded heart. He would later say to me, “I’m a militant-ass black dude.” But with Kenny, while he puts on a pretty abrasive front—and he’ll say he’s shocked to hear people say they were afraid to talk to him at first—there’s also something irrepressibly seeking in him. Something open. Racially aware, militant-ass, but seeking. He was drawn to me as much as I was drawn to him, for what you could describe as similar but reversed reasons.
A couple of weeks later, we went to a Trace magazine party in the meatpacking district for their “Black Girls Rule” issue and to a party at a gallery not far from where I live in Manhattan. The crowd at the gallery was 93.7 percent black, arty, filmmakers, music producers, black men in fedoras, black men in flannel pin-striped pants and pink shirts and suspenders whose preppy irony was announced with the high-top Nike sneaker. It was too loud to talk. I put my hands in my pockets. I danced a little. Like: Yeah, I feel this. I have better rhythm than most white people do because I went to a kind-of-black
high school. Maybe that’s some racist misperception or something, but I think it’s true. I have a greasy neck when I want to.
I was already feeling a little bit like the spotlight was on me. The token white boy. But I started examining myself as if I were a friend I was seeing again for the first time in twenty years. It gave me the strangest feeling, like I’d come down with a weird neural condition where I can’t recognize myself in pictures. I couldn’t remember ever deciding to be this person. I thought: Who picked out these clothes? Am I really wearing suede boots? Do I actually like gingham? Why am I wearing what might be called girl jeans? Do I like any of this stuff? Who picked out this personality? Not me. I don’t remember making these decisions.
You can try out all kinds of personalities and styles when you’re a kid, when you’re a teenager. But when you get older, you become either black or white, you become a honky or a brother or an Oreo or a wigger. Those seem to be the choices. Wigger is a word I don’t use and would never speak aloud, the underpinnings of which I have fundamental beef with. But if I have to use it, then I kind of always wanted to be a wigger. I just never had the balls to do it. It always seemed somehow disrespectful. But it has nothing to do with wanting to be black, per se. I wish people understood that. What music you like is as much a choice for white people as it is for black people. And how it is you want to speak. And what it is you want your pants to say about you. It seems like life comes down to am I going to wear these Nike Air Force 1s or those Bass Weejuns. All other decisions about racial identity cascade from that. When I see white boys in long white T-shirts and baseball caps, black-culture-identified is how I say it, I feel a sense of recognition. Like I could have gone that way. A few different decisions and I’d at least know how to roll a blunt. But that’s fantasy.
we invited kenny and his wife over for dinner. It would be like a final exam. I told my wife we shouldn’t talk about racial stuff. It should be like we were just having a normal dinner with friends. We decided to make the eggplant pasta from the Jamie Oliver cookbook. I put on some music—this loungy Brazilian music. I hate loungy Brazilian music, but everything else I had—Mobb Deep? Cat Power?—felt too racially themey. I brought out plates and wineglasses and then a vase of flowers and the salt and pepper. Our pepper mill is this mock-antique hand-crank one that I hate (did I just say I hate my pepper mill?), but our other one broke. I reflexively thought: I’ll just make fun of it so they know I don’t actually like it.
There’s a psychological term that’s used to explain why white people and black people aren’t friends: homophily. It means that people are likely to be friends with those who are similar to them. (There’s an aphorism about homophily: Birds of a feather flock together. One of the peculiar duties of social scientists is to prove the most obvious things, make them seem complicated, and then reconstitute them as simple. For examples, see the work of Malcolm Gladwell.) I would argue that the modern world is, in many quarters, dominated by increasingly extreme homophily. If you don’t want to, you’ll never have to talk to anyone whose jeans are different from yours. And there’s the trend toward so-called cultural cocooning, where you only have to listen to people who have the same opinion as you, be it on Fox or MSNBC or Lou Dobbs, depending on if your philosophy is galvanized around conservatism or liberalism or angry people with wet piano keys for teeth.
This endeavor, I can now say, is the product of living in a tiny, overdeveloped culture where the signifiers are too specific and the sameness of our lives has made the tolerances almost too slight to measure. Even among white folks, my shit is pretty specific. That monoculture, where I don’t even have to finish my sentences because everyone already knows what I’m going to say, where we have slightly different versions of the same conversations about the same movies and music and schools and neighborhoods and restaurants and types of people—it wasn’t until I was out of it for a few minutes that I realized the oxygen deprivation that kind of scrutiny can bring on. I am sick of worrying about my pepper mill.
The Project is a stunt, yes, but it’s also an entreaty. And it’s not just about generic diversity; it’s not just about, as someone might say before asking you to join his wife on the two-man fuck swing in his basement, being open to new experiences. It’s an argument for American white people, specifically, to be friends with American black people, specifically. It’s a statement that there’s nothing wrong with counting your black friends. It’s that familiar affirmative-action argument: If it were happening naturally, we wouldn’t need something artificial to create change. And I would say that the white man who doesn’t know the black man doesn’t know America.
It’s also an argument that says: Blackness and whiteness still matter. One of the most modern racial problems we suffer from can be boiled down to this: There is an actual debate going on about whether Barack Obama is the first postracial candidate, if we are living in a postracial world. If we were living in a postracial world, white Americans would not have been so perplexed and terrified by the videotape of the Reverend Jeremiah Wright, who while clearly an idiot in some ways, is certainly not an unfamiliar character in black churches. And his foolish theory that the American government invented AIDS and gave it to black people? That rumor’s been spread through the black community for twenty years. Hardly defensible, but hardly surprising. He’s no weirder a character than Rush Limbaugh; it’s just that he doesn’t normally get picked up on cable news. And the idea that a black man raised by an occasionally broke single white mother in America can be successfully defined as an elitist betrays a failure of our culture-recognition software and is only possible because white people look at black people with a pretty fundamental lack of perception.
But it’s not like we need a 9/11 Commission to figure our way out of this. It turns out making black friends is easy. I put half a mind to it and found ten guys with whom I’d gladly eat dinner once a month and talk about their kids (which is what it means to be friends with someone at age 36). Baraka; Brett; Eddie, a half-Haitian dude who’s in his last year of business school; Kenny, with whom, plus our wives, I’m about to enjoy a conversation and a meal of pasta à la whitey. Sure, it’s scary at first. White people aren’t used to being outnumbered, so if you’re white that’ll take some getting used to. White folks might wonder: Will they be angry at me? (No.) Is it okay if I ask to touch their hair. (No.) What should I do when it comes time to shake hands? (This is a serious fucking question and is harder than winning a game of rock-paper-scissors.) Will I always feel comfortable and able to say whatever comes to mind? (Nope.) But relax. One of the most hopeful results of this experiment: No one punched me in the face, whatever faux pas I committed. In fact, to the person, everyone I asked to participate in Operation Black Friend agreed. There is a tremendous amount of goodwill out there. All you need to do is turn off the Radiohead and walk out the door.
I listed my ad in the “activities” section of the Web site. I avoided the “casual encounters” section. I had the ad vetted to make sure I wasn’t using some unintended shorthand that means I’m looking for someone to beat me up while I vacuum his living room. I labeled my post “Looking for African-American Friend.” I thought about saying “black.” There’s a difference between the terms black and African-American, and, constitutionally, I’m in the “black” camp. White people who say “African-American” are the same people who keep bottles of Purell hand sanitizer in their knapsacks. But I still wrote “African-American.” It’s a delicate thing, taking out an advertisement for a black friend.
My Craigslist post said, among other things, “I’m a 36-year-old white guy. I grew up in a diverse neighborhood and have always gone to diverse schools. I’ve always had a decent number of black friends. That’s changed over time. I work in the publishing industry, which is super white, and I’ve realized that my group of friends is getting whiter and whiter.… It’s amazing to me that almost everyone I know has either black friends or white friends, but not both. We could have a black president, and still not have a very mixed country.” Then I added a few more lines about don’t let me show up at the bar and you’ve got a horse tranquilizer for my drink. I guess you could say the post ran a little long. I guess you could say I was worried about the possibility of a misunderstanding.
Why one would take out an ad on the Internet looking for a black friend is a legitimate question. Here’s my answer:
I had a cocktail party the other night. A natural moment to look around at the demographics of your life. And I thought: Jesus Christ, there are a lot of white people in this room. I’ve always thought of the whiteness of my adult life as a temporary condition. Like somehow all these white people have been foisted on me; pretty soon it’ll change; it’s probably my wife’s fault. But it’s time to acknowledge that I’ve become a character in a Wes Anderson movie. I wear white tennis sneakers from the ’70s. I listen to ambient music. I have dinner parties where I serve Spanish rosé and this softer version of mozzarella that has a lovely, almost liquid center that you can only get at the Italian import store. I do yoga, and I get excited when it’s ramp season. Sometimes I’d really like to punch myself in the face. (You might argue that I’m not describing “whiteness” but “arugula-ness”; but when black people have this lifestyle, they get accused of being white.) I used to make jokes about “look at us here at the weekend house in the Catskills in our blazers and sneakers eating the braised pork shoulder from the Jamie Oliver cookbook with the David Gray on in the background—aren’t we like that Amstel Light commercial?” You know that Amstel Light commercial about the white people’s country weekend—it’s white-people pornography. But I stopped making the joke, because it stopped being a joke. Because I stopped noticing it.
About the cocktail party I mentioned: I invited my friends Twan and Rem, both black. Rem couldn’t come, so there was just Twan. I mean, the math here is pretty stark: If something happened to Twan or Rem—if one of them moved, or one of them stopped liking me—the number of black friends I have would drop by 50 percent. It would be like when Colin Powell resigned from the Bush administration and there was just…Condoleezza Rice. There’s a bright line there. The Condoleezza line. Admitting that you count your black friends is a violation of the Unracist White Person Magna Carta, but really, I couldn’t handle walking around knowing that I have the same number of black friends as George W. Bush.
the next day, no one answered the ad. The day after that, no one answered it. On the third day, someone wrote back, “What are you some idiot LOL.” I tried making it less boring, less qualified. I tried using the syntax from house-swap ads: “Will Trade My Whiteness for Your Blackness.” Days of silence. I had to admit that I wasn’t surprised. Would you answer an ad like that? Would you go out and meet the person who posted that ad without a Taser?
I didn’t really want to put GQ in the post. I figured the spirit of the project should be enough motivation. The nobility of it. People should read the ad and think, Damn, he’s right; let’s reengineer society one man at a time. I’ll also concede that I hoped this might yield an actual friend and not someone who only thought it’d be cool to be in a magazine. But no one was answering, so GQ went into the post.
The next day, Amber C—— wrote me to say, “so u wanna get some black friends well I’m black.“ Amber, what’s the attitude about? I like it. I sent off an e-mail. I never heard from Amber C—— again.
A guy named Ajay e-mailed: “hey yr project sounds like fun. If u are doing any project on southasian -indian guys and need help let me know -I would be interested.”
Meg sent this: “I am dark skined and I am married to a white person, we are both musicians and live very happy with each other.” The word shiva was part of her e-mail address. It sounded like a scenario where I end up playing the didgeridoo with a white guy in dreads wearing pants woven out of mustard greens, which seemed a little off point.
I got the impression that these were people at the margins. People outside the operating social networks. There are psychologists who study the anatomy of the social network. Human connection, as the phrase six degrees of separation would suggest, should be spread evenly over all of us like a layer of peanut butter on toast. Only what it really looks like is a ball of yarn: Everyone within a social network, real or virtual, is more or less connected to one another. Your friends tend to be friends with your friends, or they will be soon. And most networks are not connected to each other. Your ball of yarn is your ball of yarn, it is discrete, and once you are inside it, it’s hard to get out. This is what some research psychologists offer up as explanation for why black people and white people don’t know each other. It may also be why it feels so hard to escape my little sliver of the Manhattan publishing industry.
In time, I got some more promising responses. I received an e-mail from a guy named Mike A——. Gingerly, the way you teach an injured bird to eat from your hand, we were able to convince each other that if we met, neither of us was going to try to kill the other one and make a dress out of his skin. He was from Nigeria and worked as a doorman in Tribeca. He said he liked the spirit of what I was trying to do. “America is in the process of re-inventing itself again and that’s what makes America the greatest nation on Earth,” he wrote. I assumed he was talking about Barack Obama.
He got off work at midnight, and I told him I’d meet him at Puffy’s Tavern in Tribeca. I got to the bar early and ordered a Corona. Mike walked in wearing a striped golf shirt and jeans with a knapsack. I waved at him to identify myself. We smiled at each other and shook hands, and then we sat at the bar, facing the Red Bull display.
“I knew it wouldn’t be hard to know it was me,” he said. “I’d be the only black person in the bar!”
“So what part of Nigeria are you from?” I said.
He named a city I’d never heard of. His head was big and almost boxlike, and he had a kind smile, but there was something hardened about him. It wasn’t difficult to imagine that he’d moved over here by himself and had been through long periods of solitude. A lot of the people who responded to the Craigslist post seemed to be outside any ball of yarn—independent actors like Mike A——, pinging through the social universe. But in a place the size of New York City, the size of the world, the margins are teeming, finely grained beaches of souls that can be heartbreaking to ponder.
“So you’re from Woodside,” I said. Woodside, I thought, is the neighborhood you drive through to get to LaGuardia.
“Woodhaven,” he said. Maybe that was the neighborhood you drive through to get to LaGuardia. Or was it JFK? He lived there with a roommate whom he didn’t know well. He’d been in a relationship for two years, but they’d recently broken up and she went to Houston. There are all kinds of Nigerians in Houston. She’d kept him on lockdown, he said, so he really didn’t have friends to hang out with in the city.
“So I always thought doormen knew everything,” I said. “Who’s having an affair, who’s been shut in their apartment for six weeks, who’s ordering cocaine delivery at 3 a.m.”
Mike laughed. “I don’t know anything about that! It mostly seems like people are just so busy.”
We struggled on. I tried to sound casual, but the rhythm was off. Because of the mixture of anxiety and boredom you feel when talking to someone you don’t know very well for more than five minutes. He’d said in his e-mail, “I love to traveling, hangout, like bars, lounges, flirting with the girls, movies too…but only if its with a girl date, I think two guys watching a movie on a wknd is corny…unless they are couples lol.” But I couldn’t think of anything to ask him about traveling or lounges or couples lol. What did we have in common, really, besides 99.5 percent of our DNA?
“What does your wife think of you meeting me?” Mike said. “Like this.”
“Um. What do you mean?”
Mike looked at me like, What do you mean, what do I mean?
In his e-mail, Mike had assured me: “I’m absolutely 100 percent straight and just looking for hangout buddies.” Maybe when he asked what my wife thought of us being here, he was asking whether we had told each other that we were straight in some elaborate Kabuki-like form of mutual self-deception that now meant we could blow each other in the bathroom at Puffy’s without actually being gay. It was also possible that he was just saying like, you know how women are, keeping you on lockdown.
I took the opportunity to mention my wife seven times in the next ten minutes.
Even when we changed the subject, the weirdness of being together hung in the air around us. The fact is, we were two men who’d met on Craigslist meeting for a drink at 1 a.m., which no matter what we talked about, was a fraught situation.
Maybe it wasn’t about what color Mike was. Maybe the reason I hadn’t made any black friends lately was partly because it’s hard for men to make new friends, period, as life proceeds and one is no longer 23 years old and no longer has roommates named Jay and Sean and Josh. All new friends come prepackaged. All new friends are couple friends. MattAndChloe, Seth-AndSusan, ElizabethAndMichael. I can’t say exactly why. I have a theory that men get more bearlike as they age, increasingly taciturn, hairy, prone to long spells of slumber, prone to growly solitary rummaging. The man can get unsocialized as he ages. And the married man can come to believe there’s a division of labor: The woman forms the social connections, and the man is treated in social situations as if he were just learning to feed himself solid food again after a terrible accident. That’s why the older the man gets, the more isolated he becomes, the more rarefied his world is, the more other humans seem to be accelerating away from him, the more his friendships become dominated by figures so long known that they’re more like comfortable marriages than friendships.
i’ve always been a little too aware of the race of my friends. One of the most embarrassing memories I have is when I was 8 years old and I made my uncle guess whether my best friend was black or white, and he just started laughing at me. “He’s black!” I said, already feeling like there was something wrong with my question. I didn’t know one of the basic unspoken rules in America, which my question (and this essay) is a violation of: It’s okay to be proud of having black friends.
This best friend’s name was Bobby Poindexter. He was tiny but adult-seeming even in the second grade. He wore a white vest to school sometimes. He was a little Marvin Gaye motherfucker. If you could smoke menthols in the second grade, that’s what Bobby Poindexter would have done. He used to take me to his church, which was way different from any church I’d ever been to. He had an Aunt Bootie who was 400 years old, ate Horehound candy, and carried a purse filled with Bibles and what must have been twenty pounds of concrete. He introduced me to the idea that you could have “cousins” who weren’t your cousins, and he called me “cuz,” which was in retrospect a precursor to “nigga,” which I bet he wouldn’t have called me. I identified with Bobby Poindexter because he was bused into my elementary school and he existed outside the social strata of my world. I felt absolutely no social anxiety when I hung out with him, which made him one of a kind, if you didn’t count my mom, who I couldn’t bring to school with me.
Later, in high school, Bobby Poindexter was killed in a car accident. He was drunk and crashed into someone’s living room. We all turned out for the funeral, the whole high school. I wrote an elegy of our friendship in the school newspaper about how we used to be best friends but when we got to the more racially diverse high school he sort of fell in with the black people, I fell in with whiter folks, and we stopped hanging out. It was the story of amicable racial estrangement, which is the story of every phase of my life. Like, the trend line in high school was toward segregation, despite us being forced together for meetings hosted by the Student Group on Race Relations, and the colloquia held in the small auditorium by professional public speakers who used to be in the Crips. College was more segregated but somehow odder, because there was no everyday racial tension. Black was black and white was white, and there was no artificial, socially engineered program to change that. (Though I did insist on joining a fraternity with at least one black person. Exactly one black person, actually. Kari.) And as an adult? I wouldn’t even use the word segregated anymore. Unless you could say that the French are segregated from the British.
Amicable racial estrangement is also the story of America at large, circa right now. Demographically, studies show that the country has been quietly resegregating—and this time, self-segregating. It’s the era of racism without the actual racists—8 percent of white people say they would be “uncomfortable” voting for a black man to be president; it’s the other 92 percent who say they’d vote for a black person, but as often as not aren’t actually friends with one, that I’m talking about. Contemporary life can be arranged as a series of homogeneous zones that white folks can glide between—Westchester and Block Island and surfing retreats in Mexico—with only the most glancing, waiterly contact with all but the least foreign-seeming black people, or really with anyone different from you at all. What’s changed is, in the ’70s and ’80s, there was a kind of post-’60s social optimism about how we were going to sit down in a big circle and talk it out and become one great human family and be free to be you and me. That’s when I grew up, and I’ve been waiting for the big coming-together ever since. But something happened. I’m not sure exactly what. Maybe people resented the social engineering. Maybe it just felt too hard and everyone was relieved when they didn’t have to try anymore. But we don’t seem to have the stomach for that kind of change as a culture anymore, personally or politically—if that had been part of Obama’s message, he wouldn’t have made it out of Iowa.
Would anyone today make a television show about the funny culture clash that happens when a wealthy black dry-cleaning-business owner moves into a white high-rise building? Or about the funny culture clash that happens when a white guy adopts two black kids, one of them being Gary Coleman? We seem all fired up about talking about other great divides. “Immigration” (i.e., there are too many Mexican people) is a hot-button issue. So is Red and Blue America. But relations between the races doesn’t seem to be what you would call relevant anymore, despite what we’re told about the significance of the Obama candidacy. Two national conventions in the midst of a so-called racially historic election and not a single explicit word about race. Mike A—— might be right about how America is reinventing itself again, but it’s reinventing itself as a place that thinks it’s postracial and is completely segregated. Does fish fry in the kitchen? Do beans burn on the grill? No one seems to give a shit anymore.
the responses on Craigslist slowed to a trickle. I tried doing up a flyer. It said looking for an african-american friend at the top. There was a description of what the idea was, and at the bottom were little flaps you could tear off printed with an e-mail address—gqdiversificationproject@gmail.com. I put my face on it with a little word balloon that said, “Hello! I’m Devin.” I looked like an ass, but apparently that was part of the program. I guess I still wasn’t sure whether this whole thing was a joke or not. I’d told a few people about what I was doing. They mostly laughed. So it’s satire, they said. Not exactly, I said. I put the flyers up in Harlem and in Bed-Stuy, which I didn’t even know how to get to without a map. I made Twan come with me in case someone took it the wrong way (Don’t punch me! Some of my best friends…!).
The only guy who responded was Mario G., a 43-year-old DJ from Harlem who loves roller-skate discos. We met for an iced coffee near my office in Midtown. He wore a white straw hat and a white mesh shirt. He said he’d had a blessed life and that he smiles every chance he gets. He kept balloons in his pocket for kids. I liked Mario a lot, but I don’t think he was here to meet me because he wanted to start hanging out and playing fantasy football together.
Mario, like a lot of the people I met, seemed to see me as something more than Devin the individual. It was like I was a collection point for things people wanted to say to white people but never had a chance to. Mario wanted to tell me a story, which I think was his commentary about race in America, about a guy he’d met in the Marines.
“I loved him like a brother,” he said. “He was an addict. The last time I saw him, I could tell he would die soon. And that because I wasn’t in his world, you know, because I was his only black friend and he was my only white friend, that I would probably never find out that he died. And sure enough, I lost touch. I tried to call him this year, but his number had been changed. I just would have liked to have gone to his funeral, or at least found out that he died. It never sat right with me.”
Then he offered to make me a balloon animal.
“Why did you respond to my flyer?” I asked, before he left.
“You said on it, ‘Ask yourself, how many white friends do you have?’ And I had to admit, I didn’t have any.” Then he said, “I’m glad I did it.”
when i pitched this story in a GQ meeting, everyone at the conference table laughed. “That’s funny. Will you be my new black friend?”
“No, really,” I said.
Everyone got quiet. Like: Um, I’m not really qualified to say if that’s an awful idea. That’s been pretty much the reaction of all white people who hear about it. They stop talking. My feeling is: Fuck them. Unless you’re willing to say what the situation is, then you’re part of the problem.
Even if my intentions were noble, though, I have to admit that there was something about putting up an advertisement on Craigslist that didn’t feel quite right. One afternoon I found this Web site called Rent-A-Negro.com. It’s satirical. You can log on and fill out a form to rent a black person—part of the joke is that black people get used all the time, anyway, so they might as well get paid for it. On the home page it said: “What can you give a person who has everything? Give them a new black friend!” Sitting in my office, clicking through this Web site, my blood went cold. It was like it had been invented to make fun of me, personally. One of the weirder aspects of racism is that no one is ever sure whether he’s racist or not, except for those few people who are totally okay with being racist. The rest of us, having internalized the knotty racial logic of this country, the contradictions about how you need to be color-blind and not color-blind, keep a wary eye on ourselves to see whether or not what we just said or did or thought was racist. And this project started to feel like the worst kind of tokenism—e-mail me here! I don’t care who you are as long as you’re black! I remembered what a friend of mine said about the ad I’d taken out: Why don’t you just get a lawn jockey and carry it around with you to parties?
So I took a new tack. I’d ask Twan and Rem to introduce me to their friends. Twan and Rem, like almost every black person I’ve ever been friends with, each live in two different balls of yarn: They have a blacker world and a whiter world. I called them up. It’d be funny, I told Rem. But also serious. “I’ll be careful,” I said.
“Yeah,” Rem said. “You should.”
Rem introduced me to Bjorn, one of seven black Bjorns in the known world (I made that up). Bjorn and I met at a German beer place and he told me what a real estate banker does; he told me about his wife, Emily, and I tried to figure out whether or not she was white, because I felt like you can’t just ask. Rem introduced me to Pete, who brought me to an informal drinks session for people of color in finance, mostly traders, and mostly like other traders I’ve known—they love Vegas, they love steak houses, they seemed to know a thing or two about whey protein. They all bro-hugged each other, but when Pete introduced me they shook my hand like I was going to interview them for a student loan.
It seemed like every other day I had a lunch or a dinner or a trip to Brooklyn planned. I’d be standing on the corner of 47th and Madison or 23rd and Seventh or some other appointed meeting spot, looking expectantly at every vaguely brown person who walked past me: Are you my black friend? It was like a second job. It was like being one of those people who decide that they’re done with being single and they’re going to do something about it and proceed like a headhunter looking for an account executive.
in time it became clear that there was one other refinement I needed to make to The Project if I was going to make an actual friend. I kept meeting people for a drink, just the two of us, at a bar where it was quiet enough to talk. That isn’t how you make a friend. That’s a blind date. And blind dates are almost exactly like job interviews, where the small talk feels so incredibly small and heavy at the same time, where every word is so fully triangulated, Well, I like some of the Wu-Tang Clan’s music, but some of it seems kind of unformed, but they’re still total geniuses, that you end up sounding like John Kerry circa 2004, and you’re just relieved when it’s over. The key was to go to an organically occurring event, meet like-minded people, see if we have anything to talk about. I had to presume, since we’ve established that the social life of black America was pretty opaque to me these past eighteen years, that black people have parties, right? So theoretically I could go to one of these parties. I’d probably be kind of a celebrity, a token-y conversation piece—hey, let’s go talk to the white guy!—and next thing you know, I’d have a new black friend.
I’d recently had a drink with Baraka, one of Rem’s friends. And he’d mentioned something about a party up in Harlem. His friend Ralph was throwing it. I saw my opening. What about like, would it be cool if I came? My wife and I took the train up for it. I got all up in her business about what she was going to wear. “Don’t dress like a tomboy,” I said. “I feel like black women don’t dress like tomboys.” She said, “I don’t know if you realized, but I am white. Even when I’m wearing the right shoes.” She gave me shit the whole way up there after that. On 125th Street, I accepted a Jesus flyer from a guy on the corner and said, Thanks! “If that guy were white, you’d never have taken that,” she said. “That’s fucked-up.”
When I showed up, Ralph said, “Come in here and let me indoctrinate you.” He poured me some Hennessy and gave me some fish he’d made. Ralph is 74 and from Trinidad. To meet him is to be charmed by him. And his mischievous face. He’s the kind of guy who could tell you a story about how he was having a three-way with two 17-year-old girls when his wife walked in on him and you’d say, What a rascal. (His wife was actually upstairs, behind the drawn curtain in one of the windows—Ralph’s been taking care of her since she had a stroke.)
I’d have to say, though, that I was not a celebrity. I didn’t have anyone to talk to. Baraka was late. There were five women sitting around a baby, but there was a male-proof force field around them. I tried to make conversation with a giant guy with dreads who was cooking a deer leg on the grill.
“Do you think you can taste the mesquite?” I said.
“People say you can,” he said.
“Mesquite’s a hardwood,” I said.
What was I talking about? What the fuck do I know about mesquite? It’s hard enough to be at a party where you don’t know anyone. But when you are the only white guy, you feel like you can’t even be awkward in private. And when you do talk to someone, there’s a social hump between you. It’s like you’re having two different conversations, the actual conversation (“Mesquite’s a hardwood”) and the subtitled one, which goes: “You are black.” “You are white.” “Hello, black person!” “Hello, white person!”
The feeling I had at Ralph’s had been explained by research psychologists. Studies have been conducted in which a black person and a white person who didn’t know each other were placed in a room together. The white person would usually start exhibiting all kinds of nonverbal cues about his state of anxiety: blink more, breathe heavier, arrange his chair farther away—the kinds of things I was probably doing to the man with the dreads working the grill. When they are interviewed, the white subjects say the anxiety comes from being worried the black person’s going to think they’re racist. That’s why it’s the more racially aware people who seem the most racist. For them the little voice that says “I’M TALKING TO A BLACK PERSON!” is deafening. And for people who aren’t worried? At Ralph’s my wife asked this pretty young woman in jeans and a tank top, “What is soul food, anyway?” It was like the scene in a movie where the guy tries to throw himself in front of the bullet—nooooooooooooooooo! It’s precisely the thing I wouldn’t ever ask, even if I didn’t know (and I swear: I know what soul food is). But you know what happened? The woman answered my wife. And I believe they had a better chance of becoming friends because of it.
Later, when it got dark out, Ralph put on a Trinidadian record everyone knew. And one of Ralph’s sons, he’s a plumber on Staten Island, took out this kidney-shaped plumbing fixture and started wailing on it with metal sticks. Then this other guy, an old friend of Ralph’s with a bald head and a wide mouth full of beautiful teeth, started singing this song about a woman with black eyes. And everyone started singing. I can’t remember being at a party where people sang anything other than “Happy Birthday.” Now I know why I wanted to go to a black party, I thought. Because they’re fun. Because white people really are uptight. We have a lot of good points, too. But Jesus it was nice to be at a party where not a single person asked me what I did for a living. Still, I stood there, watching this fat woman (Don’t sit that bitch near my food, B—— said when she walked in) plowing through a plate of deer meat, tapping her toe, thinking: This seems like some kind of made-up cultural experience, like I’d ordered it in a catalog. Yes, hello, I’d like the Harlem sing-along picnic?
then, one night, I made a friend. I was sitting at this bar in Fort Greene, Brooklyn, with Twan’s friend Brett, who also could have become my friend if he hadn’t torn his ACL and been laid up for weeks and fucked up my deadline. Fort Greene is one of the rare racial mucous membranes in the five boroughs—it’s getting white-ified but isn’t there yet, and so is temporarily integrated. We were at the bar of a restaurant called Night of the Cookers, a modern-soul-food restaurant, the kind of place that has, like, pine nuts in the collard greens.
“This is kind of the last real black spot in Fort Greene,” Brett said.
“It’s good for property values,” I said. “The white people.”
“You know what’s weird?” he said. “No one talks to each other in Fort Greene anymore. Everyone just keeps their head down.”
Brett said hi to a couple of people and then a couple of other people. Then he said hi to a couple more people. He said, If you’re a black male and you went to college, I know you. A handsome man in a whitetank top with ripped biceps came up to us. He and Brett used to work together at the D.A.’s office in Brooklyn with Twan. Now he’s a criminal defense lawyer.
I stood up and we shook. He bro-hugged me, in a more artful, more nuanced way than I do it. My shit hadn’t been updated since the ’90s, really. To be honest, I was just going by what I saw on TV. I told him I worked for a magazine, and he asked me if I knew Rem. They’d gone to college together. What are the chances, I wondered, that this guy knew both of my black friends. This is some kind of sign. He must think I’m friends with tons of black people. We talked for a while about being a criminal defense lawyer, which is what my dad does, and how every idiot who finds out what you do says, How can you do that?
“I hate that,” I said. “People start to have a different attitude if their son or daughter gets arrested.”
“How can I do that?” he said. “How about the Constitution?”
His name was Kenny. I got his business card. We said, Let’s definitely hang out.
kenny is kind of intense. We met for coffee at a Starbucks near the Manhattan courthouse and we talked for several hours, him in his Paul Smith suit and this impeccable knot in his purple silk tie, a knot you could tell he very carefully mastered how to tie. He told me about growing up in Brownsville and Crown Heights. And how he told his son that George Washington wasn’t who the teachers at school said he was: He was a man with slaves. And how this white lady he worked with wanted to know how he could brush his hair so it’s wavy instead of kinky. He told me about the time in Alabama, after he’d watched one of his uncles shoot and kill another of his uncles with a shotgun, and his family had all gone to the hospital with the dead uncle, and Kenny was outside in the twilight, jumping off the loading dock onto the ground, and a white woman and her son walked past and the son pointed at him and said, “Look at the little nigger boy jump.” And he told me about getting cut with a razor blade across his face when he was in high school, which he said he deserved for getting in over his head in a fight. And he told me about his father, who had been an elevator operator in Tribeca for thirty years, who was a defeated man and told him no one would ever let a black man like Kenny accomplish anything, who Kenny said was worse than having no father at all. He told me about finding him dead on the floor of his house last year with what Kenny described as an exploded heart. He would later say to me, “I’m a militant-ass black dude.” But with Kenny, while he puts on a pretty abrasive front—and he’ll say he’s shocked to hear people say they were afraid to talk to him at first—there’s also something irrepressibly seeking in him. Something open. Racially aware, militant-ass, but seeking. He was drawn to me as much as I was drawn to him, for what you could describe as similar but reversed reasons.
A couple of weeks later, we went to a Trace magazine party in the meatpacking district for their “Black Girls Rule” issue and to a party at a gallery not far from where I live in Manhattan. The crowd at the gallery was 93.7 percent black, arty, filmmakers, music producers, black men in fedoras, black men in flannel pin-striped pants and pink shirts and suspenders whose preppy irony was announced with the high-top Nike sneaker. It was too loud to talk. I put my hands in my pockets. I danced a little. Like: Yeah, I feel this. I have better rhythm than most white people do because I went to a kind-of-black
high school. Maybe that’s some racist misperception or something, but I think it’s true. I have a greasy neck when I want to.
I was already feeling a little bit like the spotlight was on me. The token white boy. But I started examining myself as if I were a friend I was seeing again for the first time in twenty years. It gave me the strangest feeling, like I’d come down with a weird neural condition where I can’t recognize myself in pictures. I couldn’t remember ever deciding to be this person. I thought: Who picked out these clothes? Am I really wearing suede boots? Do I actually like gingham? Why am I wearing what might be called girl jeans? Do I like any of this stuff? Who picked out this personality? Not me. I don’t remember making these decisions.
You can try out all kinds of personalities and styles when you’re a kid, when you’re a teenager. But when you get older, you become either black or white, you become a honky or a brother or an Oreo or a wigger. Those seem to be the choices. Wigger is a word I don’t use and would never speak aloud, the underpinnings of which I have fundamental beef with. But if I have to use it, then I kind of always wanted to be a wigger. I just never had the balls to do it. It always seemed somehow disrespectful. But it has nothing to do with wanting to be black, per se. I wish people understood that. What music you like is as much a choice for white people as it is for black people. And how it is you want to speak. And what it is you want your pants to say about you. It seems like life comes down to am I going to wear these Nike Air Force 1s or those Bass Weejuns. All other decisions about racial identity cascade from that. When I see white boys in long white T-shirts and baseball caps, black-culture-identified is how I say it, I feel a sense of recognition. Like I could have gone that way. A few different decisions and I’d at least know how to roll a blunt. But that’s fantasy.
we invited kenny and his wife over for dinner. It would be like a final exam. I told my wife we shouldn’t talk about racial stuff. It should be like we were just having a normal dinner with friends. We decided to make the eggplant pasta from the Jamie Oliver cookbook. I put on some music—this loungy Brazilian music. I hate loungy Brazilian music, but everything else I had—Mobb Deep? Cat Power?—felt too racially themey. I brought out plates and wineglasses and then a vase of flowers and the salt and pepper. Our pepper mill is this mock-antique hand-crank one that I hate (did I just say I hate my pepper mill?), but our other one broke. I reflexively thought: I’ll just make fun of it so they know I don’t actually like it.
There’s a psychological term that’s used to explain why white people and black people aren’t friends: homophily. It means that people are likely to be friends with those who are similar to them. (There’s an aphorism about homophily: Birds of a feather flock together. One of the peculiar duties of social scientists is to prove the most obvious things, make them seem complicated, and then reconstitute them as simple. For examples, see the work of Malcolm Gladwell.) I would argue that the modern world is, in many quarters, dominated by increasingly extreme homophily. If you don’t want to, you’ll never have to talk to anyone whose jeans are different from yours. And there’s the trend toward so-called cultural cocooning, where you only have to listen to people who have the same opinion as you, be it on Fox or MSNBC or Lou Dobbs, depending on if your philosophy is galvanized around conservatism or liberalism or angry people with wet piano keys for teeth.
This endeavor, I can now say, is the product of living in a tiny, overdeveloped culture where the signifiers are too specific and the sameness of our lives has made the tolerances almost too slight to measure. Even among white folks, my shit is pretty specific. That monoculture, where I don’t even have to finish my sentences because everyone already knows what I’m going to say, where we have slightly different versions of the same conversations about the same movies and music and schools and neighborhoods and restaurants and types of people—it wasn’t until I was out of it for a few minutes that I realized the oxygen deprivation that kind of scrutiny can bring on. I am sick of worrying about my pepper mill.
The Project is a stunt, yes, but it’s also an entreaty. And it’s not just about generic diversity; it’s not just about, as someone might say before asking you to join his wife on the two-man fuck swing in his basement, being open to new experiences. It’s an argument for American white people, specifically, to be friends with American black people, specifically. It’s a statement that there’s nothing wrong with counting your black friends. It’s that familiar affirmative-action argument: If it were happening naturally, we wouldn’t need something artificial to create change. And I would say that the white man who doesn’t know the black man doesn’t know America.
It’s also an argument that says: Blackness and whiteness still matter. One of the most modern racial problems we suffer from can be boiled down to this: There is an actual debate going on about whether Barack Obama is the first postracial candidate, if we are living in a postracial world. If we were living in a postracial world, white Americans would not have been so perplexed and terrified by the videotape of the Reverend Jeremiah Wright, who while clearly an idiot in some ways, is certainly not an unfamiliar character in black churches. And his foolish theory that the American government invented AIDS and gave it to black people? That rumor’s been spread through the black community for twenty years. Hardly defensible, but hardly surprising. He’s no weirder a character than Rush Limbaugh; it’s just that he doesn’t normally get picked up on cable news. And the idea that a black man raised by an occasionally broke single white mother in America can be successfully defined as an elitist betrays a failure of our culture-recognition software and is only possible because white people look at black people with a pretty fundamental lack of perception.
But it’s not like we need a 9/11 Commission to figure our way out of this. It turns out making black friends is easy. I put half a mind to it and found ten guys with whom I’d gladly eat dinner once a month and talk about their kids (which is what it means to be friends with someone at age 36). Baraka; Brett; Eddie, a half-Haitian dude who’s in his last year of business school; Kenny, with whom, plus our wives, I’m about to enjoy a conversation and a meal of pasta à la whitey. Sure, it’s scary at first. White people aren’t used to being outnumbered, so if you’re white that’ll take some getting used to. White folks might wonder: Will they be angry at me? (No.) Is it okay if I ask to touch their hair. (No.) What should I do when it comes time to shake hands? (This is a serious fucking question and is harder than winning a game of rock-paper-scissors.) Will I always feel comfortable and able to say whatever comes to mind? (Nope.) But relax. One of the most hopeful results of this experiment: No one punched me in the face, whatever faux pas I committed. In fact, to the person, everyone I asked to participate in Operation Black Friend agreed. There is a tremendous amount of goodwill out there. All you need to do is turn off the Radiohead and walk out the door.
High Cotton
You're on board with this whole lightweight-suits thing for summer, right? Good. Step two: Get the cotton ties to match

From left: $150 by Alexander Olch. $140 by Alexander Olch. $95 by David Hart & Co. $85 by Polo Ralph Lauren. $20 by Topman. $46 by Club Monaco. $68 by Steven Alan. $60 by J.Crew. $40 by Lands' End Canvas. $75 by Gitman Vintage.
Nautica
$49.50
Available at select Macy's and nautica.com

The Tie Bar
$15

Steven Alan
$68

Banana Republic
$69.50

Black Fleece by Brooks Brothers

Polo Ralph Lauren
$85

David Hart
$115

J.Crew
$59.50

Urban Outfitters
$19

Pierrepont Hicks
$82

UNIQLO
$12.90

Tommy Hilfiger
$68
From left: $150 by Alexander Olch. $140 by Alexander Olch. $95 by David Hart & Co. $85 by Polo Ralph Lauren. $20 by Topman. $46 by Club Monaco. $68 by Steven Alan. $60 by J.Crew. $40 by Lands' End Canvas. $75 by Gitman Vintage.
$49.50
Available at select Macy's and nautica.com
The Tie Bar
$15
Steven Alan
$68
Banana Republic
$69.50
Black Fleece by Brooks Brothers
Polo Ralph Lauren
$85
David Hart
$115
J.Crew
$59.50
Urban Outfitters
$19
Pierrepont Hicks
$82
UNIQLO
$12.90
Tommy Hilfiger
$68
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